Deck the Hall with Carols! Sheet Music Preview

Deck the Hall with Carols!

We Wish You a Merry Christmas·Jingle Bells·Jolly Old Saint Nicholas·Deck the Hall - Traditional Carols

Traditional Carols / arr. Greg Gilpin

Item: 00-PO-0007142

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$2.05

Minimum order quantity: 20 copies

Description
Four favorite carols in a festive holiday medley. A bright musical spirit makes for perfect December programming, and solid educational writing provides proper pedagogy. Greg's no-fuss approach makes it easy to teach and may even inspire your audience to sing along.

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
  • Assignment, recording, and assessment tools within MakeMusic Cloud
  • Part-predominant and accompaniment tracks
  • Printable sheet music (with a standard MakeMusic Cloud subscription)
  • Correlated rehearsal guides and performance notes
  • Rights to perform in a live or virtual setting

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Additional Details
Series: PerformancePlus+
Page Count: 12
SKU: 00-PO-0007142

More about this title

About the Arranger: Greg Gilpin

Greg Gilpin

Greg Gilpin has established himself as one of the country's most performed choral arrangers, conducting major ensembles at Carnegie Hall, Lincoln Center, and venues across Europe and Australia. His work as Director of Educational Choral Publications at Shawnee Press has shaped the landscape of accessible, well-crafted choral literature for schools and community groups alike.

Beyond the rehearsal room, Gilpin has built an expansive creative life. He composed the score for the award-winning short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a contemporary arrangement of "What Child is This?" that premiered with the Indianapolis Symphonic Choir. An ASCAP award winner and active member of ACDA and NAfME, Gilpin continues to write, conduct, and teach with the same commitment that has made his arrangements classroom staples.

Why we love this

This medley captures four beloved carols in a single, cohesive arrangement that actually sounds like it belongs together rather than feeling stitched together. Gilpin's writing for SAB voicing keeps the part-writing singable while maintaining musical dignity, and the built-in PerformancePlus+ tools mean you have accompaniment tracks, rehearsal guides, and assessment resources ready to go without hunting for supplementary materials.

What to expect

Bright, spirited, and genuinely festive without veering into saccharine territory. The arrangement carries the warmth of familiar melodies while maintaining musical integrity, inviting both singers and listeners into a celebratory season.

Who it's for

This arrangement suits school choirs, community choruses, and church music programs looking for accessible December repertoire that requires reasonable preparation time. The SAB voicing makes it inclusive for choirs with limited tenor sections or mixed voice distributions.

How to get the most out of it

  • Lean into the bright energy from the opening phrase; this medley thrives on forward momentum and celebratory spirit rather than dragging between sections.
  • Balance the recorded accompaniment at rehearsal so singers hear themselves clearly, then gradually lower the playback volume as confidence builds.
  • Use the part-predominant tracks during sectional rehearsals to lock in individual voicing; this pays off especially at the transitions between carols.

How to use it

This works beautifully as an opening number for a holiday concert, setting a joyful tone before you move into more contemplative seasonal pieces. It also pairs well with instrumental ensembles if your program features band or orchestra alongside choir, since the medley format allows flexible instrumentation to double or support the vocal lines.

Skills your students will build

  • Singing connected, rhythmically precise phrases across key changes
  • Balancing vocal lines within a three-part SAB texture
  • Transitioning smoothly between contrasting melodies within a single piece
  • Responding to recorded accompaniment for ensemble cohesion and entrances

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