December's Keep: SATB Choral Octavo
Music by Frederic Chopin--Prelude in C Minor, Opus 28, No. 20
Music by Frédéric Chopin / arr., with new words, by Greg Gilpin
Item: 00-PO-0002228
Minimum order quantity: 20 copies
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About the Composer: Greg Gilpin

Greg Gilpin is an ASCAP award-winning choral composer and arranger whose work has been performed at venues including Carnegie Hall, Lincoln Center, and the Sydney Opera House. He serves as Director of Educational Choral Publications for Shawnee Press and has established himself as a trusted voice in American choral music through performances across the United States and internationally.
Beyond his contributions to choral literature, Gilpin has expanded into film scoring and professional organizing, bringing the same attention to detail that characterizes his musical arrangements to other creative pursuits. He holds memberships in ACDA, NAfME, and Phi Mu Alpha Sinfonia, and remains actively engaged in composing, conducting, and mentoring musicians.
Why we love this
Gilpin's gift for vocal orchestration transforms Chopin's virtuosic piano writing into music that singers can inhabit meaningfully. The contrast between unison passages and shimmering chromatic harmony creates visual and emotional clarity that resonates on stage, making a sophisticated musical concept immediately accessible to an ensemble and audience.
What to expect
Clear, luminous, and introspective. The music evokes frost and crystalline silence, with moments of pure vocal unison that feel almost austere before dissolving into delicate harmonic color. There is both restraint and emotional depth, a quality that invites singers into contemplative musicality.
Who it's for
Advanced high school and college choirs seeking a contemporary work rooted in classical mastery. Directors programming December concerts or winter masterwork recitals will find in this octavo a sophisticated alternative to traditional holiday fare that still honors the season's aesthetic.
How to get the most out of it
- Shape the unison lines with deliberate phrasing; these moments anchor the piece and deserve the same attention to line you'd give a solo instrumental passage.
- Balance the chromatic chords carefully so they shimmer without muddying. Encourage singers to listen vertically and tune intonation precisely.
- Use the recorded accompaniment to lock ensemble tempo and feel the wintery character that Gilpin captures in the arrangement.
- Allow space and stillness where the text and harmony suggest it; this arrangement rewards restraint as much as expressiveness.
How to use it
Place this as a centerpiece in a winter concert, pairing it with other secular or classical-inspired works to create a cohesive program focused on sophistication rather than holiday traditions. It also works beautifully in a masterwork concert context where arrangers and adaptations of classical music are highlighted.
Skills your students will build
- Singing sustained unison lines with unwavering intonation and phrasing
- Tuning chromatic voice leading and chords with precision
- Interpreting poetic text set to complex harmonic color
- Balancing blend and independence when unison passages alternate with four-part writing
- Responding to wintery, introspective musical imagery through vocal expression