December Prayer Sheet Music Preview

December Prayer: SSA Choral Octavo

Words and music by Charlie Midnight, Idina Menzel, and Walter Afanasieff / arr. Greg Gilpin

Item: 00-PO-0003364

Digital Download
$2.00

Minimum order quantity: 20 copies

Description
Memories of winter, family, and friends are recalled in this poignant and tender ballad from Idina Menzel's CD Holiday Wishes. Highly effective for both holiday and winter programs.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0003364

More about this title

About the Composer: Charlie Midnight

Charlie Midnight is a prolific songwriter and producer who has written and crafted songs across multiple genres, from pop to holiday music. His work often emphasizes emotional accessibility and memorable melodic lines that resonate with both performers and listeners.

Why we love this

Greg Gilpin's arrangement captures the introspective warmth of the original without overwhelming a three-part choir, making this ballad genuinely singable while preserving its emotional core. The recorded accompaniment option gives singers a polished reference and flexibility in rehearsal or performance contexts.

What to expect

Intimate and reflective, this ballad draws listeners into quiet moments of remembrance. The arrangement honors the tender quality of the original, with harmonic support that feels natural rather than ornamental, creating space for genuine connection to the lyrical content.

Who it's for

Directors programming winter or holiday concerts who want a piece that feels contemporary and approachable for mid-level treble choirs. The text and melody work equally well for high school singers and adult community ensembles seeking repertoire that connects emotionally without extreme technical demands.

How to get the most out of it

  • Shape the melodic line through longer phrases rather than pushing volume; this piece benefits from controlled dynamics that let the text communicate.
  • Balance the three voices so the top line can breathe without drowning the supporting parts. Blend matters as much as projection here.
  • Use the recorded accompaniment during early rehearsals to establish tempo and harmonic context, then pull it back as singers internalize their parts.

How to use it

Place this as a centerpiece in a winter concert where emotional variety matters. It pairs well with both festive selections and other introspective pieces, and its accessibility makes it ideal for programs that need to balance crowd-pleasing repertoire with substantive choral writing.

Skills your students will build

  • Sustained phrasing and breath management across longer melodic lines
  • Three-part SSA voicing and balance
  • Lyrical interpretation and emotional expression in a contemporary idiom

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