December 1963 (Oh, What A Night) (arr. Alan Billingsley): TTBB Choral Octavo
December 1963 (Oh, What A Night) (arr. Alan Billingsley) Sheet Music Preview

December 1963 (Oh, What A Night) (arr. Alan Billingsley): TTBB Choral Octavo

As performed by The Four Seasons / Arranged by Alan Billingsley

Item: 35-DS01721505
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$2.75
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS01721505

More about this title

About the Artist: The Four Seasons

The Four Seasons emerged from Newark, New Jersey in the early 1960s to become one of the most commercially successful vocal groups in popular music history. Their combination of Frankie Valli's distinctive falsetto, tight four-part harmonies, and Bob Gaudio's songwriting created a signature sound that dominated the charts throughout the decade. The group's influence on popular music arranging and vocal production remains substantial, making their catalog a natural fit for choral programs seeking accessible yet musically substantial material.

Why we love this

Billingsley's arrangement captures the infectious joy and rhythmic precision of the original while giving your singers a genuinely fun performance experience. The flexible voicing options mean you can perform this with your available voices rather than waiting for perfect numbers, and the 14-page score gives you the space to build real musicality around an instantly recognizable melody.

What to expect

December 1963 radiates pure celebration and nostalgia. The arrangement maintains the original's infectious energy and forward momentum while adding the textural warmth of four-part voices, creating a performance that feels both authentic to the source and genuinely choral.

Who it's for

Directors building holiday or pop-themed concerts will find this instantly recognizable favorite connects immediately with audiences of all ages. Choirs with mixed or changing membership benefit from the flexible voicing options, making it accessible whether you're working with TTB, TTBB, or combinations in between.

How to get the most out of it

  • Keep the opening phrases light and conversational; let the text drive the phrasing rather than stretching for dramatic effect.
  • Lock in the rhythmic precision of the syllabic passages by thinking of them as speech rhythms first, then adding musicality on top.
  • Balance the bass line carefully so it defines the harmonic movement without overwhelming the melody, especially during the chorus sections.
  • Treat dynamics as subtle; this arrangement thrives on clarity and groove rather than volume contrasts.

How to use it

This works beautifully as a season opener or concert closer, bridging the gap between classical holiday repertoire and contemporary popular music. Pair it with other arranged standards or lighter fare to create a concert section that showcases your singers' versatility and their ability to connect with modern audiences.

Skills your students will build

  • Rhythmic precision in syllabic, text-driven passages
  • Balance and blend within flexible four-part voicing structures
  • Stylistic interpretation of popular music idioms
  • Sustained ensemble cohesion through repetitive harmonic progressions
  • Interpretation of dynamic nuance in non-classical contexts

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