Dear One (from Kiss Of The Spider Woman) Sheet Music Preview

Dear One (from Kiss Of The Spider Woman): Piano Vocal

By Kander & Ebb

Item: 35-DS00397638

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00397638

More about this title

About the Composer: Kander & Ebb

John Kander and Fred Ebb shaped American musical theater through their fearless approach to difficult subject matter and their gift for writing songs that cut straight to emotional truth. Their 1975 collaboration on Chicago revolutionized the Broadway musical, but their work spans decades and demonstrates a consistent commitment to pairing sophisticated music with intelligent, often provocative storytelling.

Kiss of the Spider Woman, their 1993 musical adaptation of Manuel Puig's novel, showcases their ability to write across multiple styles and moods. The score weaves together theatrical pastiche, intimate character songs, and moments of raw vulnerability, making it a masterclass in dramatic songwriting for music educators and performers seeking examples of how music can serve a story with precision and grace.

Why we love this

This song carries the quiet intensity that defines the best character moments in musical theater. The vocal line sits naturally for singers with modest ranges while remaining emotionally sophisticated, and the piano part gives accompanists real musical material to work with rather than simple comping.

What to expect

Intimate and emotionally direct, this song pulls you into a moment of connection between two characters. The music has a tender quality without sentimentality; it honors vulnerability without turning it into melodrama.

Who it's for

Singers preparing audition material for musical theater programs or advanced high school productions will find a song that demands genuine acting skills alongside solid musicianship. Voice teachers can use this to explore how contemporary musical theater songs require the same interpretive depth as classical art song.

How to get the most out of it

  • Find the conversational quality in the lyric. This isn't a belt or a big theatrical moment; it's one character speaking directly to another. Let the words guide your phrasing.
  • Balance transparency with support in the accompaniment. The piano needn't dominate, but it should never disappear into the background.
  • Pay attention to the harmonic movement beneath the melody. Kander and Ebb rarely waste a chord change; each one carries dramatic weight.

How to use it

Consider pairing this with other Kander and Ebb material in a Broadway retrospective, or feature it as part of a cabaret or concert showcasing character songs that matter. It also works well as an audition piece for students exploring contemporary musical theater repertoire.

Skills your students will build

  • Phrasing lyrical vocal lines with conversational authenticity
  • Accompanying singers with dynamic sensitivity and harmonic awareness
  • Interpreting contemporary musical theater material with emotional specificity
  • Understanding how piano writing in musical theater supports rather than overwhelms the voice

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