De Ira / Parables of Lucid Dreaming II Cover Image

De Ira / Parables of Lucid Dreaming II: Organ Book

$70.00 USD
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De Ira / Parables of Lucid Dreaming II Cover Image

De Ira / Parables of Lucid Dreaming II: Organ Book

By Brian Ferneyhough

Level: Advanced

Item: 98-EP73550

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Description
De Ira / Parables of Lucid Dreaming II is an 18-minute virtuosic work for solo organ, a dense texture of sound fragments in intricate polyrhythmic interplay across the instrument's range. It was composed in 2019 for organist Bernhard Haas and was premiered by him via livestream at the festival NOW! at the Philharmonie Essen on 8 November 2020. The first public performance took place on 25 June 2022 at the Martinskirche, Kassel, as part of the festival BRANDNEU.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-577-023-120
ISBN13: 979-057-702-3120
UPC: 9790577023120
SKU: 98-EP73550

More about this title

About the Composer: Brian Ferneyhough

Brian Ferneyhough is a British composer whose work has fundamentally shaped contemporary classical music since the 1970s. His compositions are characterized by extreme notational complexity, dense polyphonic textures, and rigorous mathematical structures that demand virtuosic precision from performers. Ferneyhough has held teaching positions at several major institutions and remains one of the most performed and studied living composers in the contemporary repertoire.

Why we love this

This is genuinely virtuosic writing for organ, not in the traditional sense of display passages but in its absolute demands on coordination, registration, and interpretive stamina. Ferneyhough creates a work that rewards the advanced organist's entire technical and conceptual toolkit, treating the instrument as a vehicle for architectural complexity rather than romantic gesture.

What to expect

Dense clouds of sound collide and fragment across the manual divisions; rhythmic patterns overlap without resolving, creating an unsettling sense of layered urgency. The piece feels less like a journey with destination than a relentless unfolding of tightly interwoven sonic complexities.

Who it's for

Advanced organists seeking repertoire that stretches the boundaries of what the instrument can articulate and communicate. This work is for performers ready to engage with one of contemporary music's most exacting composers and for concert programmers aiming to present organ music that stands entirely outside the traditional canon.

How to get the most out of it

  • Study the polyrhythmic layering in isolation before attempting full coordination; breaking the texture into separate voice streams makes the intricate counterpoint navigable.
  • Approach registration as compositional material rather than decoration; the piece's sound fragments gain clarity through thoughtful tonal contrast across manual and pedal divisions.
  • Work with a metronome to lock the complex rhythmic relationships before allowing interpretive flexibility; Ferneyhough's notation demands mathematical precision as the foundation for expressive control.
  • Prepare physically for sustained concentration across the 18-minute span; this is an endurance piece as much as a technical one, requiring careful pacing of mental and physical engagement.

How to use it

Program this as a centerpiece of a contemporary organ recital, ideally alongside other 21st-century works that challenge conventional organ aesthetics. Its 18-minute duration and intellectual demand make it most effective in a concert framed specifically for adventurous listening rather than mixed with traditional repertoire.

Skills your students will build

  • Reading complex polyrhythmic notation across multiple staves simultaneously
  • Coordinating independent rhythmic patterns between hands and feet
  • Executing rapid manual and pedal shifts without sacrificing rhythmic integrity
  • Interpreting highly detailed contemporary notation and performance markings
  • Building interpretive choices within strict compositional constraints

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