Days In The Sun (from Beauty And The Beast) Sheet Music Preview

Days In The Sun (from Beauty And The Beast): Ukulele

By Alan Menken & Tim Rice

Item: 35-DS00381384

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00381384

More about this title

About the Composer: Alan Menken & Tim Rice

Alan Menken is one of contemporary music's most prolific composers for stage and screen, with a particular gift for writing songs that become cultural touchstones. His collaborations with lyricist Tim Rice have produced some of Disney's most enduring theatrical music, balancing melodic accessibility with genuine emotional depth. Rice, himself a legendary lyricist known for his work on Evita and Chess, brings a storyteller's precision to every phrase, ensuring that melody and meaning move together.

Why we love this

This is the kind of song that reminds you why Disney's theatrical catalog matters in music education. The melody sits beautifully on ukulele, the lyric captures a genuine moment of vulnerability, and students recognize it immediately, which means they'll invest in getting it right. It's a four-page arrangement that doesn't overstay its welcome and fits naturally into repertoire rosters ranging from casual ukulele classes to small ensemble concerts.

What to expect

Quiet morning light. A character alone with her thoughts, finding small moments of beauty in an unexpected place. The song unfolds gently without being sentimental, inviting performers to find the spaces between the notes where the real emotion lives.

Who it's for

Ukulele students from intermediate onward will find this both musically satisfying and technically manageable. Teachers building a Disney unit or a film music elective will appreciate having a song that students actually want to play. Younger performers benefit from working with a melody this well-crafted and a lyric this clear.

How to get the most out of it

  • Treat the phrasing as conversational rather than purely melodic. The character is reflecting quietly, so breathe between phrase groups as Belle would, not where the music notation demands it.
  • Balance the instrumental introduction and interludes so they feel like extensions of the vocal line, not accompaniment. This song lives in intimacy.
  • Pay attention to any dynamic markings in the arrangement; this piece relies on subtle volume shifts to convey the emotional arc rather than tempo changes.

How to use it

Pair it with other contemporary ukulele arrangements in a popular music or film music unit, or use it as a bridge piece between classical and contemporary repertoire in a spring concert. It also works as a solo feature during a musical theater showcase or as part of a themed program exploring music by Disney composers.

Skills your students will build

  • Phrasing in a conversational register rather than a purely legato one
  • Dynamic control and the relationship between volume and emotional expression
  • Reading and interpreting song form in an arrangement designed for live performance
  • Connecting lyrical meaning to instrumental interpretation on a melody-focused instrument

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