Daylight Again Sheet Music Preview

Daylight Again: Ukulele

As performed by Crosby, Stills, Nash & Young / As performed by Stephen Stills

Item: 35-DS00433053

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00433053

More about this title

About the Artist: Crosby, Stills, Nash & Young

Crosby, Stills, Nash & Young formed in 1968 as a supergroup bringing together three established singer-songwriters from The Byrds, The Hollies, and Buffalo Springfield. Their blend of rock sensibility with folk instrumentation and intricate vocal harmonies defined a generation's approach to songwriting, emphasizing both musical sophistication and direct emotional communication.

Stephen Stills, who co-wrote "Daylight Again" with the group, is a multi-instrumentalist and composer whose work spans rock, folk, and blues idioms. His contributions to the band's catalog demonstrate how rock music could maintain lyrical depth and instrumental nuance while achieving broad commercial reach.

Why we love this

This arrangement captures what makes the original enduring: accessible enough for early to intermediate players yet sophisticated in its approach to dynamics and phrasing. Ukulele students get to experience how a rock song translates to a gentler instrument without losing its emotional center.

What to expect

Reflective and conversational, with an underlying sense of hope. The arrangement preserves the song's contemplative quality while the ukulele's natural brightness gives it an intimate, almost confessional tone that invites close listening.

Who it's for

Intermediate ukulele players ready to explore repertoire beyond traditional folk songs and Hawaiian standards. This works equally well for students in a school ukulele program or self-directed learners who want to engage with classic rock material on their instrument.

How to get the most out of it

  • Pay attention to the dynamic shape across the two pages; let quieter moments breathe rather than rushing toward the next phrase
  • If you're adding vocals, sing the melody separately first to internalize the phrasing before combining it with the fingering patterns
  • Consider where your natural hand positions fall and whether chord transitions need adjustment for your hand size or playing style
  • Listen to the original recording to absorb the song's tempo and rhythmic feel, then adapt the tempo to what serves your technique

How to use it

Include this in a unit exploring how songs written for electric instruments adapt to acoustic ones, or program it as a bridge between folk and contemporary repertoire in a spring concert. It also pairs well with other singer-songwriter material from the same era.

Skills your students will build

  • Transitioning between chord shapes smoothly without disrupting rhythmic momentum
  • Balancing melodic and harmonic awareness in strumming patterns
  • Phrasing technique at the ukulele, specifically how to shape silence as much as sound
  • Adapting fingerstyle and strumming approaches to match emotional intent

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