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Das Pianobuch: Piano Music for Discoverers, Vol. 2: Piano (Solo) Album

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Das Pianobuch: Piano Music for Discoverers, Vol. 2 Cover Image

Das Pianobuch: Piano Music for Discoverers, Vol. 2: Piano (Solo) Album

35 Intermediate to Advanced Original Pieces from Rameau to Friedrich Gulda

Edited by Sibylle Cada and Thomas Peter-Horas

Item: 98-EP10906B

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Description

Containing the most extraordinary range of material - from Berio and Corea to Ginastera and Milhaud, these two volumes (see also EP10906b), these two volumes must surely become an essential part of the repertoire of every serious piano teacher.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 128
ISBN10: 0-01-410724-4
ISBN13: 979-0-0141-0724-6
SKU: 98-EP10906B

More about this title

Why we love this

The breadth here is genuinely uncommon. Spanning from Berio's modernist innovations to Corea's jazz-inflected lyricism, Ginastera's visceral rhythmic language, and Milhaud's neoclassical clarity, this collection refuses to let students settle into one compositional mindset. It's the kind of book that keeps serious pianists intellectually engaged across an entire season.

What to expect

Opening this book is like stepping into a gallery where every wall holds a radically different artistic vision. You encounter lyrical introspection, explosive rhythmic energy, delicate impressionistic textures, and raw modernist gesture all within arm's reach. There's intellectual rigor here, but never coldness.

Who it's for

Advanced amateur pianists and conservatory-level students ready to engage with 20th-century compositional diversity. Piano teachers building curricula that move beyond Romantic repertoire will find this volume essential for meeting ambitious students where they are.

How to get the most out of it

  • Treat each composer as a distinct interpretive problem rather than working through the book chronologically. Jump between pieces and let the contrasts sharpen your stylistic ear.
  • Document which pieces demand pedal precision and which benefit from a lighter touch. The harmonic density varies dramatically across this collection.
  • Record yourself playing selections from different composers back-to-back. Hearing the tonal palette shifts helps you internalize how each voice sits in the keyboard.

How to use it

Use selections as recital pieces that demonstrate technical range and artistic maturity. Pairing a Ginastera excerpt with a Milhaud movement on the same program creates natural dialogue and shows audiences the scope of piano writing across the modern era.

Skills your students will build

  • navigating 20th-century notation systems and unconventional rhythmic groupings
  • building tonal independence across multiple harmonic languages
  • sustaining musical narrative in non-tonal or extended tonal contexts
  • managing color differentiation across impressionistic, neoclassical, and avant-garde idioms
  • reading across composer-specific performance directions and pedal markings

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