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Danza: Full Orchestra, Conductor Score

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Danza: Full Orchestra, Conductor Score

By Francisco De Madina

Item: 36-A167701

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Description
Francisco de Madina (1907-1972), also known as Aita Madina, received his education in Bordeaux and was ordained a priest in 1929. He served his first parish in Buenos Aires and became director of a school in Cuidad de Salta. During this time, he began to develop as a composer and started to premiere his work in Buenos Aires. His primary influences included Debussy, Ravel and Prokofiev. In 1955, he moved to New York, where he founded a residence for the Lateran Canons Regular. His music began to enjoy performances in America and Spain. DANZA features syncopated rhythms, brisk solos, and bright orchestral color. Instrumentation: 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(5-6): Hp.Clst: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270179-7
ISBN13: 979-8-89-270179-2
UPC: 659359944987
SKU: 36-A167701
Instrumentation: 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(5-6): Hp.Clst: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Francisco De Madina

Francisco de Madina (1907–1972), known to many as Aita Madina, was a Basque-Argentine composer and Lateran Canon Regular whose musical voice bridged European modernism and Latin American vitality. Educated in Bordeaux and ordained in 1929, he served as a parish priest and school director in Argentina before relocating to New York in 1955, where he founded a residence for his religious community and began building a performing presence in both American and Spanish concert halls. His compositional language absorbed the impressionistic color of Debussy, the harmonic sophistication of Ravel, and the rhythmic energy of Prokofiev, synthesizing these influences into works that sparkle with orchestral brilliance.

Why we love this

Danza delivers the orchestral sophistication and textural clarity you need when programming 20th-century repertoire that actually engages audiences. The syncopated rhythmic language and bright instrumental scoring create immediate engagement with both players and listeners, and the work sits at a genuinely achievable difficulty level for ensembles that can manage a full complement of strings and a modest percussion section.

What to expect

Danza radiates Spanish and Latin American warmth through a modernist lens. The syncopated rhythms propel the music forward with infectious momentum while the bright orchestral colors (harp, celeste, woodwind solos) create an almost impressionistic shimmer that feels both elegant and buoyant.

Who it's for

Conductors leading full orchestras with secure string sections and capable woodwind principals who want accessible 20th-century repertoire with genuine musical substance. The work suits orchestras at the community, regional, or educational level that are ready to expand beyond standard classical and romantic repertoire.

How to get the most out of it

  • Establish a steady pulse in the syncopated passages by having your rhythm section lock before bringing in the woodwind lines; the rhythmic security will free the soloists to breathe naturally.
  • Balance the harp and celeste with restraint in the bright passages. These instruments add shimmer most effectively when they don't overwhelm the orchestral texture.
  • Shape the brisk solo writing with clear character rather than pure speed. Allow the woodwind and brass soloists time to articulate their material distinctly.
  • Use the full dynamic range the score offers. The contrast between the bright tutti sections and more delicate solo passages defines the work's character.

How to use it

Program Danza as a centerpiece in a 20th-century concert, pairing it with other works that emphasize color and rhythm over dense harmonic language. Its sunny temperament and moderate duration make it an ideal companion to more introspective modern works or a compelling opener for a concert that celebrates orchestral color.

Skills your students will build

  • Conducting syncopated rhythms with clarity and ensemble precision
  • Balancing complex orchestral textures with harp, celeste, and multiple percussion lines
  • Shaping solo passages in woodwind and brass sections with musical character
  • Interpreting 20th-century harmonic language and maintaining pitch security in ensemble context

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