Danse Macabre Cover Image

Danse Macabre: Brass Quintet Score & Parts

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Danse Macabre Cover Image

Danse Macabre: Brass Quintet Score & Parts

By Camille Saint-Saëns / arr. David Marlatt

Level: Difficult

Item: 81-BQ27248

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Description
Danse Macabre (Dance of Death) was inspired by a poem of Henri Cazalis: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. Saint-Saens great use of melody and dissonance makes this an orchestral classic, and now a classic for quintet.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-261-6
ISBN13: 978-1-55472-261-7
UPC: 685462002870
SKU: 81-BQ27248
Instrumentation: Brass Quintet

More about this title

About the Composer: Camille Saint-Saëns

Camille Saint-Saëns (1835-1921) was a French composer, organist, and pianist whose technical mastery and structural clarity shaped late Romantic music. His output spanned operas, symphonies, concertos, and character pieces, and he remained a commanding figure in French musical life for over six decades. Saint-Saëns had an exceptional gift for orchestration and a keen ear for how instruments could balance color with dramatic intent.

Danse Macabre exemplifies his ability to marry a vivid literary concept with sophisticated harmony and unforgettable melodic lines. The work's portrayal of Death fiddling at midnight showcases his command of dissonance, rhythmic vitality, and the grotesque—qualities that make the piece endure in concert halls and now in quintet settings where its harmonic ingenuity becomes even more transparent.

Why we love this

This arrangement brings one of the Romantic era's most vivid orchestral visions into the intimate, precise world of brass quintet writing. The reduced instrumentation forces every voice to sing with clarity, and the dissonance and rhythmic urgency that make Saint-Saëns' original so gripping become even more arresting when heard without orchestral padding. It's a genuinely rewarding piece to program at festivals because audiences recognize the iconic opening gesture, and your players will earn serious respect for navigating the technical and harmonic demands.

What to expect

Frantic and darkly theatrical. The famous zig-zag motive propels the music forward with relentless energy, while dissonant harmonies and unexpected tonal shifts create an unsettling, grotesque atmosphere. There's a macabre humor in the orchestration—Death playing violin at midnight becomes both menacing and oddly sardonic when heard through the lens of five brass instruments working in tight coordination.

Who it's for

Advanced brass quintets ready to tackle demanding harmonic language and rhythmic precision. This piece suits ensembles competing at festivals or performing in concert settings where programming a Romantic masterwork arrangement adds sophistication and technical credibility. Players should be comfortable with dissonance, complex rhythms, and the stamina required for a dramatic, energetic interpretation.

How to get the most out of it

  • Establish the signature rhythmic motif (zig, zig, zig) with absolute precision in the opening; even slight hesitation will diffuse the momentum that drives the entire piece.
  • Balance the dissonant harmonies carefully so they land with dramatic weight rather than sounding muddy; each voice must be heard as a distinct harmonic color.
  • Use the contrasting section as a moment to relax the texture and let players breathe before the return to the frantic primary material.
  • Shape the dynamic peaks and valleys with awareness of the poem's narrative: this is Death conducting an orchestra, so moments of control and moments of wild abandon should feel deliberate.

How to use it

This works brilliantly as a festival or contest entry where the piece's fame and technical difficulty earn immediate recognition and respect. Consider pairing it with lighter quintet fare or smaller Romantic works to create a program that showcases range; the dramatic intensity and relatively compact duration (the familiar theme looms large in brass) make it an ideal standalone feature that doesn't require a long concert slot.

Skills your students will build

  • Reading and executing dissonant harmonic language
  • Maintaining rhythmic precision in syncopated, driving material
  • Balancing parts to clarify harmony in a small ensemble without full orchestral support
  • Interpreting dramatic narrative and character through instrumental color and phrasing
  • Stamina and control in high-energy performance contexts

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