Danse Macabre: String Orchestra Conductor Score & Parts
As performed by Herman Hummel / As performed by Camille Saint-Saëns / Arranged by Harvey S. Whistler
Grade: 2-3
Item: 35-PK00320670
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Danse Macabre - Full Score | $6.00 | |
| Danse Macabre - Violin 1 | $7.00 | |
| Danse Macabre - Violin 2 | $7.00 | |
| Danse Macabre - Violin 3 (Viola Treble Clef) | $7.00 | |
| Danse Macabre - Viola | $7.00 | |
| Danse Macabre - Cello | $7.00 | |
| Danse Macabre - Bass | $7.00 | |
| Danse Macabre - Piano | $7.00 |
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More about this title
About the Artist: Herman Hummel
Herman Hummel was a prolific arranger and composer who specialized in making standard repertoire accessible to student ensembles. His arrangements prioritized clarity and balance, ensuring that younger players could experience substantial musical works without being overwhelmed by technical demands.
Why we love this
Hummel's version strips away unnecessary complexity while preserving the spine of Saint-Saëns' orchestration. The two-minute duration fits neatly into concert programming, and the Grade 2-3 scoring means your entire section can contribute meaningfully to a recognizable, dramatically satisfying work.
What to expect
Eerie and propulsive. The sparse violin figures and restless accompaniment create genuine suspense, even at this accessible level. The ride of the valkyries energy is there, just uncluttered and direct.
Who it's for
Directors seeking a recognizable, crowd-pleasing piece that won't require weeks of rehearsal time. String orchestras in the early-to-intermediate range can pull this off with confidence, whether for a Halloween concert, a pops program, or a light classics event.
How to get the most out of it
- Lean into the minor key and sparse pizzicato passages to build atmosphere; restraint here makes the occasional fortissimo hit harder.
- Balance the melody across your string sections rather than relegating it to first violins alone. This voicing creates a richer, more skeletal quality.
- Coordinate the rhythmic figures between violas and cellos. They're the foundation of the tension, and slight rhythmic softness will deflate the entire effect.
- Mark the few dynamic shifts precisely in rehearsal. With such economical orchestration, each change registers immediately.
How to use it
Place this early in a Halloween or October concert to set a playful tone without heavy drama. It pairs well with other light classical selections and serves as an excellent palate cleanser between serious works. The short duration also makes it ideal for youth orchestra featured performances or chamber ensemble showcases.
Skills your students will build
- Sustaining tone quality in sparse textures
- Pizzicato rhythmic precision and control
- Playing expressively at soft dynamic levels
- Balancing melodic and accompanimental voices within the string section
- Responding to conductor cues in a rhythmically driven arrangement