Danse des Ghazies (from <i>The Ballet Suite, Opus 50a</i>) Cover Image

Danse des Ghazies (from <i>The Ballet Suite, Opus 50a</i>): Concert Band Conductor Score

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Danse des Ghazies (from <i>The Ballet Suite, Opus 50a</i>) Cover Image

Danse des Ghazies (from The Ballet Suite, Opus 50a): Concert Band Conductor Score

Movement No. 9

By Anton Stepanovich Arensky / arr. Vlctor López

Grade: 2 (Easy)

Item: 00-43096S

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Description
Originally written for piano, this work translates well for young bands. Written in 3/4, but intended to be performed in a bouncy "one," its light texture, melodic contour, and playful nature will be an outstanding addition to any contest or festival program. (3:00)

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 24
UPC: 038081504360
SKU: 00-43096S

More about this title

About the Composer: Anton Stepanovich Arensky

Anton Stepanovich Arensky (1861-1906) was a Russian composer, pianist, and conductor whose lyrical gift and accessible harmonic language made him a fixture of the concert repertoire throughout his lifetime. Though overshadowed by his contemporaries Tchaikovsky and Rimsky-Korsakov, Arensky's music endured for its warmth and craftsmanship; he composed prolifically across symphonies, concertos, chamber works, and ballets, many of which remain rewarding additions to ensemble programs at all levels.

His ballet scores demonstrate a particular gift for orchestration and melodic invention. Arensky served as director of the Moscow Conservatory and composed with both theatrical flair and structural clarity, qualities that make his works exceptionally suitable for student musicians encountering orchestral literature for the first time.

Why we love this

Victor López's arrangement captures the charm of Arensky's original without padding the texture or overcomplicating the harmonic content. At Grade 2, this piece demands musicality and ensemble control rather than technical fireworks, making it ideal for bands ready to move beyond simple march-based repertoire into genuine concert music with character and depth.

What to expect

A spirited, elegant dance that bounces with the lightness of a folk celebration. The melody sparkles with charm and period color while the accompaniment remains transparent and supportive, creating an accessible entry into the Romantic era that feels fresh rather than antiquated.

Who it's for

This score is designed for young concert bands making their first venture into European art music beyond the beginner band canon. Directors seeking Grade 2 repertoire with genuine musical substance will find a piece that teaches musicianship and ensemble listening without demanding virtuosity.

How to get the most out of it

  • Treat the 3/4 meter as one flowing beat per measure rather than counting three separate pulses; this creates the buoyant, dance-like character Arensky intended and keeps the piece from dragging.
  • Balance the melodic line across your reed and brass sections so the tune sings above the accompaniment. Young players often hide the melody rather than projecting it.
  • Shape phrases with slight dynamic swells on longer note values; the playful nature thrives on gentle direction and breathing space, not relentless mezzo-forte playing.

How to use it

Program this as a palate-cleansing contrast to march-based openers or heavy contemporary works on festival and contest programs. Its three-minute duration and upbeat character make it an effective second or third selection that demonstrates your band's range and musicality.

Skills your students will build

  • Conducting and playing in one-beat meter (conducting 3/4 as one pulse)
  • Phrase shaping and dynamic sculpting in lyrical, non-march contexts
  • Melodic projection and balance awareness in ensemble settings
  • Interpretation of Romantic-era music and historical style awareness

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