Dancing Through Time Sheet Music Preview

Dancing Through Time: SSA Choral Octavo

By Sheena Phillips

Item: 35-DS00305472

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$2.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS00305472

More about this title

Why we love this

Phillips crafts a piece that moves through distinct musical landscapes without feeling fragmented, which is a real achievement in concert work. The SSA/SSAA flexibility means you can program it with your available singers without compromising the writing, and the 19-page score suggests substantial musical content that justifies its place in a full concert.

What to expect

The title suggests movement and progression, offering listeners a narrative arc rather than a static musical moment. You'll find yourself drawn through multiple emotional or textural territories, each revealing something about the whole.

Who it's for

SSA and SSAA choirs at the high school and community level who want concert repertoire that moves beyond pop arrangements. The piece suits singers who are comfortable with independent lines but don't require virtuosic technique.

How to get the most out of it

  • Build the ensemble awareness of tempo through the transitions between sections; Phillips likely varies the pacing, so establish clear internal landmarks during rehearsal to keep singers confident moving forward.
  • Pay attention to blend across the different voicings when switching between SSA and SSAA passages. The shift in texture is compositional, not accidental, so honor those changes in balance and tone.
  • Record your section parts separately during early rehearsals so singers can reinforce their lines at home. With 19 pages of material, distributed practice prevents the score from feeling overwhelming.

How to use it

Pair this as a centerpiece in a concert that explores time, change, or journey themes. It also works as a substantial closer to a concert set where you want to leave the audience with a sense of forward momentum rather than settling calm.

Skills your students will build

  • Switching between SSA and SSAA voicing configurations
  • Maintaining independence in multi-sectional forms
  • Responding to textural shifts in rehearsal and performance
  • Building stamina through longer concert works

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