Dancing Through Life (from Wicked) (arr. Audrey Snyder): TTB Choral Octavo

Snyder captures the buoyant optimism of this Stephen Schwartz standard while writing genuinely singable parts that keep all three voice groups engaged. The arrangement maintains the song's infectious energy without requiring soloists or complex choreography, making it accessible for groups at various performance levels.

Infectious and playful, this arrangement lets singers inhabit Elphaba's defiant optimism. The harmonic movement feels bright and forward-thinking, matching the song's message about making your own path despite what others believe. The rhythmic vitality keeps energy high throughout.

TTB and mixed octavo choirs at the intermediate level and above. This arrangement works equally well for men's choirs using the TB voicing or mixed ensembles exploring the TTB, TBB, or TTBB options. It's an excellent choice for groups comfortable with contemporary musical theater repertoire.

• Keep the rhythmic pulse dancing forward; resist the temptation to drag the groove or over-interpret phrase endings.
• Balance the melody between parts by rehearsing the accompaniment figures independently first, then layering voices gradually.
• Articulate the text with precision and joy; this piece lives in clear, bright diction that supports its optimistic character.
• Pay attention to blend in sustained passages so the harmony sits cleanly rather than sounding muddy or heavy.

Consider this as a strong closing number on a concert celebrating musical theater, or as a program-opener that establishes an upbeat tone for the evening. It pairs naturally with other contemporary Broadway selections and provides welcome contrast if programmed among classical or jazz repertoire.

• Rhythmic precision in syncopated passages
• Part independence across three distinct voice lines
• Lyrical diction and text clarity in a contemporary idiom
• Dynamic control to maintain energy without vocal strain
• Harmonic awareness through sustained chord voices