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Danceries (Set II): Brass Band Score

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Danceries (Set II) Cover Image

Danceries (Set II): Brass Band Score

By Kenneth Hesketh

Item: 12-057157078X

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Description
Danceries Set II was commissioned by Keith Allen and Birmingham Symphonic Winds, supported by PRS for Music Foundation and the RVW Trust. The world première of this work was given by Birmingham Symphonic Winds, conducted by Keith Allen, at the CBSO Centre, Birmingham in 2011. This second set of Danceries continues the format established in Danceries (Set I), namely in using material taken from Playford's Dancing Master, a collection of folk and popular tunes published in the seventeenth century, to form the basis of an extended dance suite. In this set, the melodies have been more abstracted and project only a distant echo of their original forms, but as before, each movement is self-contained, colorful, and direct---with its own distinct mood. Arranged for brass band.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-57078-X
ISBN13: 978-0-571-57078-2
UPC: 9780571570782
SKU: 12-057157078X
Instrumentation: Brass Band

More about this title

About the Composer: Kenneth Hesketh

Kenneth Hesketh is a Scottish composer whose work draws deeply from folk tradition, historical sources, and the expressive potential of wind ensembles. His commissions for brass band and wind band have established him as a significant voice in contemporary band music, with particular strength in transforming archival material into vivid, modern orchestral narratives.

Why we love this

Hesketh's approach to Playford's seventeenth-century dances is refreshingly modern: he abstracts the melodies into something unrecognizable at first glance, then lets them gradually reassert their character. The result is a contest-level work that challenges your band musically and intellectually while remaining thoroughly engaging to play and hear.

What to expect

Danceries Set II feels like a journey through distorted mirrors of familiar forms. The seventeenth-century melodies emerge and recede, sometimes almost unrecognizable, creating a sense of discovery. There's elegance and wit beneath the surface abstraction, with each movement offering its own distinct character and mood.

Who it's for

Accomplished brass bands preparing for festivals and contests will find a work of substantial artistic merit and technical sophistication. This score demands secure musicianship, precision of ensemble, and interpretive maturity, making it ideal for groups confident in their abilities and willing to invest in detailed study.

How to get the most out of it

  • Treat each movement as its own complete statement. The suite's power comes from the contrast between distinct moods and colors, so resist the urge to connect sections too smoothly.
  • Balance transparency with impact. Even in thicker textures, the brass band sound should remain clean and articulate; muddy doublings will obscure the melodic abstraction Hesketh has crafted.
  • Explore the extremes of dynamic range. The contrast between delicate passages and fully scored moments is essential to reveal how the old melodies have been reimagined.

How to use it

This work fits naturally into a contest or festival context, but it also serves as a centerpiece for a concert exploring the relationship between historical sources and contemporary composition. Program it alongside either Set I for a complete Danceries experience, or pair it with other modern works that engage with folk material to create a thematic arc.

Skills your students will build

  • Balancing transparency and blend in dense harmonic textures
  • Interpreting abstracted melodic material and recognizing structural relationships
  • Executing precise articulation and dynamic control across the full brass band range
  • Responding to complex, non-traditional formal structures
  • Sustaining musical focus across extended multi-movement works

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