Dance To The Music Sheet Music Preview

Dance To The Music: SATB Choral Octavo

By Sylvester Stewart / As performed by Sly And The Family Stone / Arranged by Roger Emerson

Item: 35-DS00252096

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00252096

More about this title

About the Composer: Sylvester Stewart

Sylvester Stewart, known to the world as Sly Stone, fundamentally changed popular music by fusing soul, funk, rock, and psychedelia into a unified sound that broke down genre boundaries. As the architect and frontman of Sly and the Family Stone, he created some of the most inventive and infectious recordings of the 1960s and 1970s, influencing everyone from Prince to modern hip-hop producers.

Beyond his innovations in production and arrangement, Stewart demonstrated remarkable versatility as a multi-instrumentalist and bandleader. His willingness to experiment with unconventional song structures, layered vocals, and tight rhythmic interplay made his work endlessly appealing to audiences across racial and musical lines. For choral directors, his catalog offers rich material for exploring contemporary arrangements of music that genuinely excites young singers.

Why we love this

Roger Emerson has captured the irresistible groove and infectious energy of this funk classic without sacrificing singability or ensemble balance. The arrangement respects the original's rhythmic drive while giving each voice part meaningful material, making it equally engaging for your singers and audiences who know and love this song.

What to expect

Pure joy and movement. The groove is irresistible, built on syncopation that makes you want to move, with bright harmonic stacks and playful vocal interplay that sparkle throughout. There's a contagious confidence to this music that energizes everyone in the room.

Who it's for

Any choir director seeking music that authentically connects with student singers and audiences while teaching genuine rhythmic sophistication. This works for show choirs, pop ensembles, concert choirs looking to expand their repertoire, and programs that value music students actually care about.

How to get the most out of it

  • Lock the rhythm section (bass and drums) first, then layer in the melodic voices. The pocket is everything in funk; everything else lands in relation to that foundation.
  • Emphasize the call-and-response sections between voice parts. This song thrives on conversational energy and clear textural layering rather than homogeneous blend.
  • Keep articulation crisp and synchronized, especially on repeated figures. Funk demands precision that creates the illusion of looseness.
  • Don't oversing the ballad sections or middle passages. Restraint and space make the rhythmic moments hit harder by contrast.

How to use it

Perfect as a concert closer or standout moment in a mixed repertoire show. Its contemporary energy provides welcome contrast to classical or show tune programming, and it gives audiences an immediately recognizable anchor while showcasing your singers' rhythmic and interpretive skills.

Skills your students will build

  • Reading and executing syncopated rhythmic patterns
  • Maintaining rhythmic independence within a groove context
  • Call-and-response vocal interplay and textural clarity
  • Balancing funk articulation with sustained singing lines
  • Interpreting contemporary popular music with musical integrity

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