Dance To The Day (from The Prince Of Egypt: A New Musical) Sheet Music Preview

Dance To The Day (from The Prince Of Egypt: A New Musical): Piano Vocal

By Stephen Schwartz

Item: 35-DS00468069

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00468069

More about this title

About the Composer: Stephen Schwartz

Stephen Schwartz has shaped musical theatre for nearly five decades, beginning with Godspell and Pippin on Broadway before expanding into film and concept albums. His gift for writing lyrics that match character psychology with memorable melody has made him one of the most performed composers in American musical theatre. Beyond the stage, Schwartz has mentored generations of theatre musicians through his work on animated films and educational initiatives, cementing his place as both a creator and advocate for music education.

His compositional voice balances accessibility with sophistication, a quality that makes his work invaluable for student musicians and professional performers alike. Whether writing intimate character songs or ensemble moments, Schwartz crafts music that rewards careful study and pays dividends in performance.

Why we love this

Schwartz's theatre writing serves student singers exceptionally well because it demands genuine character work without requiring superhuman vocal technique. The song sits in a comfortable range for developing voices while still offering enough musical substance to hold an audience's attention, making it ideal for young performers building confidence in solo performance.

What to expect

Joyful and kinetic, this piece captures the effervescence of celebration and movement. The music radiates optimism while maintaining enough rhythmic sophistication to engage musicians who understand how to swing a phrase and ride a groove.

Who it's for

This arrangement works beautifully for high school musical theatre casts, college-level singers building their contemporary musical theatre repertoire, and any student looking for a song that demands genuine performance instinct alongside solid musicianship. The five-page vocal score accommodates both private voice lessons and group rehearsal settings.

How to get the most out of it

  • Anchor the accompaniment's groove early in rehearsals. The rhythmic pocket matters as much as the melody, so establish clarity in the piano part before layering the vocal line.
  • Shape the lyrical phrases with conversational phrasing rather than strict metric regularity. Schwartz writes for the way people speak, so let the breath and sense of the words guide your rubato.
  • Balance the energy of the rhythmic elements with the intimacy of the song's storytelling. Push the ensemble moments without losing the character's emotional center.

How to use it

Slot this into a musical theatre concert or revue where you want an uptempo moment that lands emotionally without requiring elaborate staging. It pairs well alongside other contemporary musical theatre selections and works particularly effectively as an act opener or second-act closer.

Skills your students will build

  • Stylistic interpretation of contemporary musical theatre idioms
  • Lyrical phrasing and breath management in rhythmically active passages
  • Rhythmic precision while maintaining vocal ease and character connection
  • Understanding groove and swing in the context of pop-influenced musical theatre

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