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Dance Suite: Full Orchestra, Score and Parts

$180.00 USD
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Dance Suite Cover Image

Dance Suite: Full Orchestra, Score and Parts

By Bela Bartok, ed. R. Mark Rogers

Item: 36-A927890

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Description
Dance Suite, completed at Radvány (northern Hungary) in August 1923, was composed for a festival concert held on November 19, 1923 to commemorate the 50th anniversary of the two cities of Buda and Pest merged into one capitol: Budapest. Dance Suite combines five different types of dance rhythms (original themes), each followed by a Ritornello (an interlude which remains unchanged) and a Finale into one symphonic unit. This completely reengraved version by Mark Rogers has been meticulously edited, including clarinet and trumpet parts in all commonly found keys, and is the first major edition of this masterpiece since its initial publication. Instrumentation: 2(dPicc).2(2dEH).2(2dBcl).2: 4.2.2.1: Timp.Perc(5).Pno.Clst(dPno 4H secundo).Hp: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Masterworks Library
Publisher: Keiser Productions, Inc.
UPC: 753625005287
SKU: 36-A927890
Instrumentation: 2(dPicc).2(2dEH).2(2dBcl).2: 4.2.2.1: Timp.Perc(5).Pno.Clst(dPno 4H secundo).Hp: Str (9-8-7-6-5 in set)

More about this title

About the Creator: Béla Bartók

Béla Bartók (1881, 1945) was a Hungarian composer and pianist whose work fundamentally reshaped 20th-century classical music. He spent decades collecting and analyzing folk music from Hungary, Romania, and surrounding regions, integrating these authentic idioms into large-scale orchestral works that balanced modernist harmony with deeply rooted cultural traditions.

Bartók's approach to composition was inseparable from his ethnomusicological research. Dance Suite emerged during a period of intense creative productivity, written to honor Budapest's unification and showcasing his genius for transforming raw folk material into sophisticated symphonic architecture. His influence on orchestration, rhythm, and harmonic thinking continues to define how composers approach the orchestra.

Why we love this

This Rogers edition restores one of the twentieth century's most inventive orchestral works with clarity and accuracy that earlier printings never achieved. The five distinct dance movements, each anchored by the same Ritornello, give you a structure that's both intellectually satisfying and immediately engaging for audiences. The expanded clarinet and trumpet parts in multiple keys remove a major logistical headache from your parts library.

What to expect

Energy and color pulse through the five distinct dance rhythms, each one building its own world before dissolving back into the unchanged Ritornello. The work radiates the joy of a city coming together; it's celebratory without sentimentality, modern in its thinking but rooted in the physicality of dance itself.

Who it's for

Professional orchestras, university orchestras, and advanced youth orchestras with solid string sections and experienced percussion players. Directors programming twentieth-century masterworks or seeking substantial festival concert material will find this a substantial, rewarding addition to the repertoire.

How to get the most out of it

  • Prepare the percussion section early. Five players managing timpani, multiple percussion instruments, and precise rhythmic coordination throughout demands rehearsal time separate from the full orchestra.
  • Balance the piano and celesta parts carefully; they sit in a delicate textural space between accompaniment and melodic voice. Mark cue lines in the conductor's score to help the ensemble hear when these parts carry the phrase.
  • Each dance section has its own character and tempo relationship. Map out the pacing between movements in your early rehearsals so the Ritornello feels like a genuine return rather than an interruption.
  • The harp part rewards players who understand its rhythmic function. It's not merely decorative; in sections it anchors harmonic progression, so it deserves focused sectional attention.

How to use it

This works powerfully as a concert centerpiece or as part of a twentieth-century focused program. Its scale and orchestration also make it an ideal choice for festival showcases where you want to demonstrate ensemble sophistication and range.

Skills your students will build

  • Sustaining ensemble cohesion across contrasting metric and rhythmic gestures
  • Reading and executing expanded part distributions (clarinet and trumpet in multiple keys)
  • Coordinating percussion section independence while maintaining orchestra unity
  • Understanding formal architecture through repetition and variation
  • Balancing multi-layered textures with piano, celesta, harp, and strings

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