Dance of the Sugar Plum Fairy Cover Image

Dance of the Sugar Plum Fairy: Concert Band Conductor Score

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Dance of the Sugar Plum Fairy Cover Image

Dance of the Sugar Plum Fairy: Concert Band Conductor Score

For Keyboard Percussion and Band

By P. I. Tchaikovsky / arr. Brian Bankston

Grade: 2

Item: 98-RWS231701

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Description
The well-known "Dance of the Sugar Plum Fairy" is orchestrated here for winds and percussion with the mallet instruments in the forefront. Show off your best glockenspiel, vibraphone, xylophone or marimba player at your next holiday concert. Or, you can have them all play at once, or maybe even pass the tune around! There are lots of possibilities with this one. It is a real crowd pleaser with an instantly recognizable theme.

Original Item#: RWS-2317-01

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Additional Details
Series: RWS - Developing Band
Publisher: RWS Music Company
ISBN10: 1-4706-9573-1
ISBN13: 978-1-4706-9573-6
UPC: 038081611587
SKU: 98-RWS231701

More about this title

About the Composer: P. I. Tchaikovsky

Pyotr Ilyich Tchaikovsky (1840, 1893) was a Russian composer whose gift for melody and orchestration shaped the concert band repertoire for generations. His ballets, symphonies, and concert pieces remain cornerstones of music education because they combine accessibility with genuine sophistication; students hear instantly that this is real music, not simplified filler.

Why we love this

Bankston's arrangement captures the charm of the original while giving your mallet section genuine musical work to do. The Grade 2 scoring keeps the band together easily, but the foregrounded percussion parts make this feel like a showcase rather than a novelty, your best players get a chance to shine, and the audience stays engaged the entire time.

What to expect

Delicate, shimmering, and instantly recognizable. The piece captures that magical, weightless quality of the original ballet while letting the bright timbres of pitched percussion do what they do best.

Who it's for

Holiday concerts need pieces that work for developing bands and still land with audiences. This arrangement is ideal for programs where you want to feature your percussion students without pulling them away from the ensemble sound.

How to get the most out of it

  • Decide your mallet lineup before rehearsals start. Whether you feature one soloist, rotate players, or combine them all, commit to that choice and build your voicing around it.
  • Balance the winds carefully during the accompaniment figures; they should support the melody without overwhelming it, even when multiple mallet players are carrying the tune.
  • Work the rhythmic precision of the accompaniment early. The familiarity of the melody can tempt players to rush, but steady rhythmic control keeps the sparkle alive.
  • Let the percussion shine on any held notes or sustained passages. These moments are where the brightness of the glockenspiel and vibraphone really cuts through.

How to use it

Place this as a mid-set opener to reset audience energy, or use it as the closer on a holiday concert where you want to end on something joyful and familiar. It pairs well alongside other Tchaikovsky arrangements or lighter concert fare.

Skills your students will build

  • Balancing solo and accompanying roles within the ensemble
  • Playing with consistent articulation across different mallet instruments
  • Maintaining steady tempo and rhythmic accuracy in accompaniment figures
  • Dynamic control and shaping of melodic lines at Grade 2 difficulty

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