Dance of the Hours from La Gioconda for Band Cover Image

Dance of the Hours from La Gioconda for Band: Concert Band, Score and Parts

$90.00 USD
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Dance of the Hours from La Gioconda for Band Cover Image

Dance of the Hours from La Gioconda for Band: Concert Band, Score and Parts

By Amilcare Ponchielli, transcr. Tom Kennedy/ ed. Alfred Reed

Grade: 5

Item: 36-M909402

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Description
DANCE OF THE HOURS is the centerpiece of one of the most popular ballet scenes in the opera repertoire. It has been used since as a parody in popular music and as a cartoon ballet in the Walt Disney production Fantasia. It's wicked fun to play! This advanced band transcription was created by Tom Kennedy and edited by Alfred Reed.

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Additional Details
Series: Symphonic Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156233-6
ISBN13: 978-1-62-156233-7
UPC: 746241221483
SKU: 36-M909402
Instrumentation: Concert Band

More about this title

About the Composer: Amilcare Ponchielli

Amilcare Ponchielli (1834-1886) was an Italian composer and conductor whose operatic works dominated the stages of his era, particularly in Italy and across Europe. Though his name recognition dimmed after his death, his melodies remain instantly recognizable, especially the "Dance of the Hours" from his 1876 opera La Gioconda, which has infiltrated popular culture for nearly 150 years.

Ponchielli's gift for orchestration and his ability to write music that feels both grand and theatrical made his scores natural candidates for concert band transcription. His work appears regularly in educational settings not as obscure repertoire but as a bridge between operatic tradition and the concert hall, giving students access to genuinely sophisticated musical material.

Why we love this

This transcription captures one of opera's most infectious moments and translates it brilliantly to band forces. The combination of Ponchielli's sophisticated orchestration with Kennedy and Reed's expert adaptation means your students are playing genuinely elegant music that also happens to be irresistibly fun.

What to expect

Elegant and buoyant, with moments of genuine playfulness. The piece glides forward with operatic grace while maintaining a lightness that makes it feel celebratory rather than heavy, even at advanced difficulty.

Who it's for

Advanced concert bands ready to tackle a piece with real orchestral sophistication and pedagogical substance. This works for groups that want a crowd-pleasing showpiece without sacrificing musical integrity.

How to get the most out of it

  • Bring out the character shifts within the piece. The movement through its various sections should feel like a journey, not a constant tempo romp; dynamic shading and slight rhythmic flexibility keep the narrative alive.
  • Balance transparency in the ensemble. This transcription benefits from clarity between sections, particularly when the main melody passes from one choir to another. Avoid the temptation to barrel through with volume.
  • Treat accented passages as dance articulations, not percussive attacks. The piece swings and bounces; these figures should feel rhythmically alive rather than clipped.

How to use it

Program this as a concert centerpiece or as a sophisticated alternative to lighter pops-style selections. It pairs well alongside other masterwork arrangements or classical transcriptions, and it's substantial enough to anchor a concert while remaining accessible to audiences unfamiliar with opera.

Skills your students will build

  • Balancing ensemble transparency across multiple sections
  • Executing stylized articulations in a non-march context
  • Maintaining musical line through sectional key and tempo changes
  • Understanding operatic phrasing and its translation to instrumental music

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