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Dance Monkey: Marching Band Conductor Score

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Dance Monkey Cover Image

Dance Monkey: Marching Band Conductor Score

As Recorded by Tones and I

Words and music by Toni Watson / arr. Nick Baratta

Grade: 3 (Medium)

Item: 00-48236S

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Description
One of the catchiest tunes to come along in a while is this memorable offering from Tones and I. Nick Baratta's lively arrangement captures the unique style and groove, and makes this a great choice for the stands or for dance groups! (1:50)

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 8
UPC: 038081560014
SKU: 00-48236S

More about this title

About the Composer: Toni Watson

Toni Watson, known professionally as Tones and I, emerged as a distinctive voice in contemporary pop with an instinctive grasp of melody and rhythm that translates across genres and ensembles. Her work demonstrates how modern songwriting can retain infectious energy while remaining accessible to performers at all levels.

Why we love this

Baratta's arrangement respects what makes the original tick, that driving groove and irresistible hook, while giving your students genuine musicianship to work with across the full instrumentation. You get a contemporary tune that audiences recognize immediately, paired with the kind of clean, playable writing that lets your band sound polished without requiring expert-level technique.

What to expect

Energetic and modern, with a hypnotic forward motion that pulls listeners in. The groove has pocket and personality, not overly complex, but unmistakably contemporary.

Who it's for

Bands looking to program something current and engaging without sacrificing musical integrity. This works for groups at the Grade 3 level who are ready for style-conscious interpretation and want a piece that generates genuine enthusiasm from both performers and audiences.

How to get the most out of it

  • Nail the rhythmic precision in the groove sections; even slight variations in articulation between sections will read as sloppy rather than intentional. Lock the feel early in rehearsal and return to it frequently.
  • Balance the countermelodies against the main line so the hook stays front and center. Secondary parts should sit slightly back in the mix.
  • Lean into the contemporary style by keeping articulations clean and attacks together. Avoid the tendency to over-phrase or add vibrato where the original voice sits dry and direct.
  • Use the recorded accompaniment strategically during sectional rehearsals to anchor the rhythmic pocket before combining full ensemble.

How to use it

Perfect for a mixed-rep concert where you're balancing traditional marching band repertoire with new music. The 1:50 duration fits neatly into any program slot, and it pairs well with dance groups if you're staging a more theatrical presentation.

Skills your students will build

  • Maintaining steady groove under syncopated melodic lines
  • Balancing contemporary articulation with traditional band sonority
  • Interpreting style-specific phrasing from a recorded reference
  • Rhythmic precision in pop-inflected ensemble music

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