Daft Punk (Choral Medley) (arr. Mark Brymer) Sheet Music Preview

Daft Punk (Choral Medley) (arr. Mark Brymer): Choral Instrumental Pak

As performed by Pentatonix / As performed by Daft Punk / Arranged by Mark Brymer

Item: 35-PK00468685

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Description
Pentatonix continues to pack stadiums across the world bringing their unique a cappella style to millions. More than 300 million people have now viewed their mash-up/medley version of Daft Punk's greatest hits. Mark Brymer's precise adaptation of the electronic music duo's vocals-only treatment includes "Around the World, Get Lucky, Harder, Better, Faster, Stronger, One More Time, Technologic" and "Television Rules the Nation."

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Publisher: Hal Leonard
SKU: 35-PK00468685

More about this title

About the Artist: Pentatonix

Pentatonix emerged from the a cappella competition circuit to become a five-voice powerhouse that has redefined what vocal arranging can accomplish. Their ability to layer intricate vocal percussion, bass lines, and harmonic textures without instrumental accompaniment has earned them Grammy Awards and a global following that spans multiple generations of listeners.

What sets Pentatonix apart in music education is their fearless approach to reimagining existing material. Their medley versions strip songs down to their essential melodic and rhythmic elements, then rebuild them with precision and creativity. For choral directors, their arrangements model how constraint (limited voices, no instruments) can drive innovation rather than limit it.

Why we love this

Mark Brymer's adaptation captures the infectious energy of Pentatonix's viral medley without requiring your singers to be vocal beat boxers. The arrangement respects the original's electronic palette while giving your ensemble clear, singable lines that still deliver the excitement audiences recognize. Programming this shows your students that contemporary music and concert choral standards occupy the same artistic space.

What to expect

Electric and propulsive. The medley pulls you through nine iconic Daft Punk moments without stopping for breath, layering vocables and vocal percussion into something that sounds like a live band despite being entirely voice-driven. It's precise enough to feel engineered, loose enough to feel fun, and infectious enough that audiences leave humming.

Who it's for

Directors programming pop and jazz concerts, especially those whose audiences include younger listeners. This medley works equally well for chamber choirs comfortable with contemporary repertoire and for larger ensembles that want to stretch beyond traditional choral song lists. Students who grew up streaming Pentatonix will recognize this material immediately, making engagement nearly automatic.

How to get the most out of it

  • Balance the vocal percussion layer carefully; it should anchor the groove without overpowering the melodic voices. If your ensemble lacks confident beatboxers, consider having your rhythm section double these parts on kit or cajon.
  • Pay attention to the transitions between songs. Each medley section shifts gear slightly, and cleanly connecting them keeps the momentum alive rather than letting each piece feel isolated.
  • Commit fully to the rhythmic precision these songs demand. Daft Punk's original production lives on micro-timing; ask your singers to lock in like a session choir, with uniform syllable attacks and releases.
  • The electronic sound world calls for bright, focused vowels. Push your ensemble away from overly lyrical interpretations and toward the clarity that made Pentatonix's version so striking.

How to use it

Slot this into a pop or jazz concert where you want to build energy and reach listeners who might not typically attend choral events. It also serves as an excellent opener or closer because it establishes immediately that your program honors contemporary music. Consider pairing it with one or two other modern pieces to contextualize this style within your season.

Skills your students will build

  • Rhythmic precision and synchronization across multiple vocal layers
  • Vocal percussion techniques and beatboxing fundamentals
  • Blending non-pitched and pitched vocal sounds
  • Sustaining energy and groove across an extended medley form
  • Tuning and balancing in contemporary harmonic contexts
  • Stylistic awareness of electronic music aesthetics applied to voice

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