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D.R.U.M.: Discipline, Respect, and Unity Through Music: Book

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D.R.U.M.: Discipline, Respect, and Unity Through Music Cover Image

D.R.U.M.: Discipline, Respect, and Unity Through Music: Book

Elementary / Middle School Percussion Ensembles

By Jim Solomon

Level: Elementary / Middle School Percussion Ensembles

Item: 00-BMR08009

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Description
Kids love drums! The sight, sound, power, and feel are tremendous motivators for many students. D.R.U.M. is an acronym for Discipline, Respect and Unity Through Music. The original D.R.U.M. group was formed at author Jim Solomon's elementary school in 1995 to provide an ensemble experience for students not involved in any of the regular music groups. The group concept is designed to stress teamwork and self-discipline while learning these intensive percussion ensembles built on music from the United States, Brazil, Africa, and China. Useful for general music classes and special groups, this book is a terrific learning tool with unlimited potential!

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Additional Details
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7692-6838-2
ISBN13: 978-0-7692-6838-5
UPC: 029156954913
SKU: 00-BMR08009

More about this title

About the Composer: Jim Solomon

Jim Solomon

Jim Solomon is a National Board Certified Teacher and clinician who has spent his career building music programs that reach students outside traditional ensembles. At R.B. Hunt Elementary in St. Augustine, Florida, he teaches general music, chorus, recorder, and D.R.U.M., the special percussion group that inspired this book. His work extends beyond the classroom through summer instruction at prestigious institutions including the Eastman School of Music, where he teaches Orff Level 1 teacher training, and Eagle Arts Camp, where he works with students from kindergarten through high school.

Solomon's contributions to music education span publications, presentations, and hands-on mentorship. He was named Teacher of the Year for St. Johns County in 1991 and has presented at twelve AOSA National Music Conferences. His published works include D.R.U.M., Conga Town, Tropical Recorder (co-authored), and a video guide to percussion technique. His approach consistently emphasizes ensemble work, cultural music traditions, and the transformative power of rhythm and discipline.

Why we love this

This book brings together the proven framework Solomon developed to engage students who might otherwise sit outside the traditional ensemble experience. The multicultural percussion approach (drawing from United States, Brazil, Africa, and China) keeps the music fresh and relevant, while the D.R.U.M. acronym reinforces values that extend far beyond the rehearsal room. Directors will appreciate how thoroughly Solomon has thought through the pedagogical scaffolding of intensive ensemble work for young percussionists.

What to expect

The energy is kinetic and grounded in rhythm that students feel in their bodies immediately. Drawing on global percussion traditions, the music carries authenticity and joy, with the kind of infectious grooves and patterns that make young musicians want to keep playing. There's a sense of shared purpose running through the pieces, reinforcing the discipline and unity that the acronym promises.

Who it's for

This book serves elementary and middle school percussion ensembles, particularly groups formed to include students who don't participate in band or orchestra. It works equally well in general music classes seeking ensemble experiences and in special interest percussion groups. Teachers building programs around non-traditional instruments and cultural percussion traditions will find this resource directly aligned with their goals.

How to get the most out of it

  • Start with unison rhythmic patterns before layering parts; ensure all students can execute the foundational pulse before building complexity.
  • Use call-and-response sections to check ensemble clarity and allow quieter students to find their confidence within the group.
  • Record rehearsals periodically so students can hear their own progress as a unit; this builds accountability and pride in collective sound.
  • Establish clear visual cues for tempo and part changes, especially when working with mixed ability levels in the same ensemble.

How to use it

Launch a D.R.U.M. ensemble at the beginning of the school year as a recruiting tool for students hesitant about traditional instrumental groups. The 56-page collection provides enough material to sustain a year-long special interest group or rotate through units in general music classes. Consider performing selections at school assemblies or cultural celebration events where the multicultural repertoire can shine.

Skills your students will build

  • Ensemble listening and blend across mixed percussion instruments
  • Rhythm reading and part independence
  • Tempo maintenance and response to visual conducting cues
  • Coordination in parts that layer and interlock
  • Confidence performing as part of a unified group
  • Exposure to percussion traditions from United States, Brazil, Africa, and China

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