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Cut 'n Run: Jazz Ensemble Conductor Score

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Cut 'n Run: Jazz Ensemble Conductor Score

By Gordon Goodwin

Grade: 5 (Advanced / Difficult)

Item: 00-JEM05020C

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Description
This swinger is like a high-wire act requiring speed, agility and the horsepower. Brilliant composer/arranger Gordon Goodwin penned this rapid tempo chart for his Big Phat Band and is recorded on his newest CD, The Phat Pack on Silverline Records. High energy throughout with optional solos for alto, tenor, trumpet and bones. Standard instrumentation. Hot! (excerpt 2:16) This title is available in MakeMusic Cloud.

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Additional Details
Series: Gordon Goodwin Series
Publisher: Alfred Music
Page Count: 28
UPC: 654979090847
SKU: 00-JEM05020C

More about this title

About the Composer: Gordon Goodwin

Gordon Goodwin

Gordon Goodwin composed his first big band chart at age 13, a piece called Hang Loose that announced his gift for large ensemble writing. Before founding Gordon Goodwin's Big Phat Band in 2000, he built a prolific career as a film and television composer, earning three Emmy Awards and multiple Grammy nominations for his work on major motion pictures including Bad Boys II, Remember the Titans, Star Trek: Nemesis, and Armageddon. He has also arranged and performed with artists ranging from Christina Aguilera and Quincy Jones to Ray Charles and Sarah Vaughn.

As the leader of Gordon Goodwin's Big Phat Band, he continues to push the boundaries of contemporary big band jazz, releasing acclaimed albums that have themselves earned Grammy recognition. His orchestrations combine meticulous attention to harmonic detail with infectious groove and high-energy arranging that makes his charts a favorite among competitive jazz ensembles.

Why we love this

Goodwin's writing for big band demands technical precision and ensemble unity while delivering the kind of infectious energy that audiences recognize immediately. This chart arrives with built-in credibility: it's from the bandleader's own library and recorded on The Phat Pack, so your students are learning from the source and can hear exactly how it should sound.

What to expect

Cut 'n Run launches immediately at full throttle with the kinetic energy of a high-wire act. The relentless tempo, tight rhythmic figures, and optional solos create a performance that feels perpetually on the edge of its own momentum; audiences feel the virtuosity and precision required to pull it off.

Who it's for

Jazz ensembles at the advanced high school or college level ready to tackle demanding material with musical payoff. This is a conductor score, which means your band needs solid section players and the discipline to execute rapid figures cleanly.

How to get the most out of it

  • Study the recorded reference on The Phat Pack before rehearsal to lock in the rhythmic precision this piece demands. The tempo is no joke, and Goodwin's articulation and phrasing become clearer when heard first.
  • Isolate the optional solo sections early in your rehearsal process. Each of the four soloists (alto, tenor, trumpet, and trombone) needs space to develop ownership of their moment, and the section behind each solo must lock in tight.
  • Mark breathing points across all sections as a full ensemble. At this tempo with these rhythmic demands, staggered breathing will destroy the effect; coordinate it deliberately.
  • Focus rehearsal time on the transitions between ensemble figures and solo passages. These moments are where energy either builds or drops, and they require attention to dynamics and ensemble response.

How to use it

This belongs in the high-energy slot of a jazz ensemble concert, ideally early enough that your band can still settle into the pocket but late enough that the audience is warmed up. It pairs well alongside a ballad and a medium-tempo swing number to show range, but it will steal any show it's in.

Skills your students will build

  • Executing rapid articulation and rhythmic figures at tempo
  • Maintaining ensemble cohesion under high-speed technical demands
  • Balancing solo improvisation or interpretation with ensemble precision
  • Reading a conductor score and responding to leadership cues in complex rhythmic passages
  • Stylistic phrasing in contemporary big band jazz

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