Curtain Up!: Double Bass Sheet Music Preview

Curtain Up!: Double Bass

By Brian Balmages, Soon Hee Newbold, Lauren Bernofsky, Carrie Lane Gruselle

Grade: 1

Item: 98-PC-DST6263_SB

Digital Download
$7.00
Description
For directors on a budget, we are pleased to offer this exciting collection of four pieces at one low price that work well as a full concert program. The set contains pieces in a variety of styles including Renaissance, novelty, programmatic, and folk. Titles include: Courtly Dance and Procession (Balmages), Hiawatha (Newbold), The Cuckoo Clock (Bernofsky), and Sourwood Mountain (Gruselle).

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
SKU: 98-PC-DST6263_SB

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a reputation as a composer and conductor working across orchestral, band, and chamber repertoire. His works have appeared at venues including Carnegie Hall, the Kennedy Center, and Sydney Opera House, performed by orchestras ranging from professional ensembles to elementary school groups. He received the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest. Balmages was honored with the inaugural James Madison University Distinguished Alumni Award and later commissioned by the University of Miami to compose for the institution's presidential inauguration.

As a conductor, Balmages maintains active engagements with all-state ensembles, university orchestras, and professional groups worldwide. He has guest conducted at the Midwest Clinic, Western International Band Clinic, and numerous state conferences. His compositions were performed at the 2013 Presidential Inaugural Prayer Service. Currently, he serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Four composers, four distinct styles, one affordable package that programs itself. You get a complete concert without sacrificing variety or musical substance, which makes this collection ideal for schools stretched across multiple ensemble events or those building a repertoire on limited budgets. Each piece stands alone as a winner at festivals while working seamlessly together as a program.

What to expect

A carefully curated journey from courtly elegance through storytelling and whimsy to earthy folk tradition. The collection moves between worlds without losing coherence, offering your ensemble chances to explore Renaissance character, evoke Native American imagery, animate a mechanical fantasy, and celebrate American roots music. Each piece has its own personality while maintaining approachability for developing musicians.

Who it's for

String orchestra directors seeking festival-ready material that covers multiple style periods without requiring four separate purchases. Grade 1 ensembles with developing players will find accessible writing that sounds polished and substantial. Schools programming full concerts or needing reliable contest pieces at an economical price point will benefit from the breadth this collection offers.

How to get the most out of it

  • Balance the melodic material across your first and second violin sections so that the Renaissance and folk styles retain their character without overwrought dynamic shifts.
  • Use rehearsal marks as anchor points for ensemble coordination; Grade 1 writing benefits from frequent stopping points to lock in rhythm and intonation.
  • Attend to the variety in bow distribution across pieces so your ensemble doesn't tire; novelty and programmatic works often reward lighter articulation compared to traditional scoring.
  • Establish clear stylistic boundaries between pieces during rehearsal so transitions feel intentional rather than incidental.

How to use it

Program these pieces across a full concert to demonstrate your ensemble's range and technical growth, or select individual titles to fit thematic concert goals. The Renaissance and folk pieces pair well with each other for a traditional program segment, while the novelty and programmatic works provide excellent variety in longer festivals or competitions. This collection also works effectively as a season-spanning introduction to style and arrangement for young orchestras new to diverse repertoire.

Skills your students will build

  • Reading and executing contrasting articulation styles across Renaissance, novelty, programmatic, and folk contexts
  • Sustaining tone quality and intonation in lyrical passages within Grade 1 scoring
  • Responding to stylistic cues that shift between pieces during rehearsal and performance
  • Coordinating ensemble rhythm in pieces with varying metric and textural demands
  • Balancing independent melodic lines in arrangements that feature multiple voices simultaneously

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