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Curtain Up!: Concert Band Conductor Score

$20.00 USD
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Curtain Up!: Concert Band Conductor Score

Complete Concert Beginning Band Vol.1

By Brian Balmages, Timothy Loest, William Owens, Chris Sharp

Grade: 1

Item: 98-B1496S

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Description
For directors on a budget, we are pleased to offer this exciting collection of four pieces at one low price. Designed to work well as a full concert program, these pieces represent a variety of styles and composers for a well-balanced program! Titles include: Parade of the Gladiators (Owens), Ten Masters in Two Minutes (Loest), Funtango (Sharp), and Gettysburg (Balmages).

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 241444499528
SKU: 98-B1496S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor whose work spans orchestral, band, and chamber music with equal fluency. His compositions have appeared on stages from Carnegie Hall to the Kennedy Center and Sydney Opera House, performed by ensembles ranging from professional orchestras to elementary school bands. He received the A. Austin Harding Award from the American School Band Directors Association and won the 2020 NBA William D. Revelli Composition Contest for his work Love and Light. Balmages holds membership in the American Bandmasters Association and has been honored with the James Madison University Distinguished Alumni Award.

As a guest conductor, Balmages works regularly with all-state and regional ensembles, university orchestras, and professional groups worldwide. His conducting engagements include appearances at the Midwest Clinic, Western International Band Clinic, and numerous state and national conferences. He served as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic, bringing both compositional expertise and deep knowledge of music education publishing to his work.

Why we love this

Four distinct pieces that showcase different compositional styles and energy levels give you a complete, satisfying concert program without the stress of programming separately. The Grade 1 level means your developing band can execute the music cleanly while still sounding polished and confident. At this price point, you get the flexibility to program a concert with real variety without worrying about your budget.

What to expect

This collection moves from the grandeur of a Roman processional through clever instrumental commentary, ventures into Latin-tinged fun, and closes with dignified reflection. You get pageantry, humor, rhythmic excitement, and contemplative moments all in one package.

Who it's for

Directors building a first or second year concert band program who need a complete, ready-to-program collection at an economical price. Groups with limited rehearsal time benefit from having four contrasting pieces that span styles and moods, giving you concert options without extra preparation work.

How to get the most out of it

  • Balance the march sections in Parade of the Gladiators by letting the melody sing through while keeping accompanying figures light and rhythmically locked.
  • Bring out the wit in Ten Masters in Two Minutes by keeping transitions crisp and tempos steady; the humor lands when the orchestration is clean.
  • Shape the syncopated figures in Funtango with precise articulation so the tango character emerges clearly across all sections.
  • Give Gettysburg space to breathe; resist pushing the tempo and let the ensemble find the reverent quality the piece asks for.

How to use it

Open a concert with Parade of the Gladiators for immediate audience engagement, follow with Ten Masters in Two Minutes to shift the mood and keep energy up, place Funtango before intermission for a fun closer to the first half, and finish the concert with Gettysburg as a powerful, thoughtful finale. Alternatively, use these pieces to fill out a concert program where you're performing longer works by other composers; the variety here ensures a well-paced evening.

Skills your students will build

  • Reading and executing mixed articulation patterns across march, contemporary, and lyrical idioms
  • Maintaining steady tempos in syncopated and rhythmically active passages
  • Balance and blend when accompanying figures support single melodic lines
  • Stylistic flexibility and quick adjustment between contrasting musical characters

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