Cups (from Pitch Perfect) (arr. Roger Emerson): SATB Choral Octavo

Roger Emerson's arrangement captures the infectious energy and rhythmic vitality of the original while making it genuinely singable for four-part choirs. The piece works as both a crowd-pleasing opener and a satisfying concert closer, bridging the gap between contemporary pop and choral technique without feeling gimmicky.

Buoyant and playful, with a propulsive energy that drives from the first measure. The piece balances moments of gentle vulnerability with bursts of rhythmic exuberance, creating a performance experience that feels both intimate and infectious.

This arrangement serves choirs seeking contemporary material that engages audiences while remaining musically substantive. Intermediate to advanced ensembles will find the four-part writing accessible, while the rhythmic and percussive demands challenge singers to develop precision and ensemble awareness.

• Lock in the rhythmic precision early in rehearsals. The spoken and percussive elements demand crisp articulation and unified timing across all sections.
• Layer the body percussion gradually. Start with voices alone, then add hand claps, then leg slaps once the harmonic foundation feels secure.
• Shape the dynamic contours clearly. The piece lives in contrast, so commit fully to soft passages and let the ensemble breathe into the climactic moments.
• Encourage character commitment. The piece thrives when singers embrace the playful intent without sliding into oversinging.

Position this in the first half of a concert when audience energy is fresh and receptive to contemporary pop arrangements. It pairs well alongside other upbeat secular selections and offers a natural bridge between more traditional repertoire and modern musical theater.

• Rhythmic precision and unified ensemble timing
• Body percussion coordination and layering
• Dynamic contrast and musical storytelling
• Contemporary vocal articulation and character interpretation