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Cult Classics for Clarinet: Clarinet & Piano Book

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Cult Classics for Clarinet: Clarinet & Piano Book

Music from Cult Films

Arr. Richard Harris

Level: Early Intermediate / Intermediate

Item: 12-0571521045

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Description
'Pulp Fiction', 'Halloween', 'Bullitt' and 'The Exorcist' are all-time classic films that have earned their place in popular culture.This imaginative collection includes the main themes from these films alongside well-known classical pieces from such films as 'The Clockwork Orange', 'Fatal Attraction' and 'L.A. Confidential'. So, recreate the sounds of the big screen with these arrangements from unforgettable Cult Classics!

Titles include: Ebben Ne Amoro Lontana (Diva) * First Movement (Brandenburg Concerto from Die Hard) * Habanera (Trainspotting) * Introitus (The Big Lebowski) * Mad Scene (The Fifth Element) * Misiriou (Pulp Fiction) * Ode to Joy (A Clockwork Orange) * Overture (L.A. Confidential) * The Ride of the Valkyries (Apocalypse Now) * Theme (Bullitt) * Theme (Halloween) * Theme: Night on the Bare Mountain (Natural Born Killers) * Tubular Bells (The Exorcist) * Un Bel Di Vedremo (Fatal Attraction)

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-52104-5
ISBN13: 978-0-571-52104-3
UPC: 9780571521043
SKU: 12-0571521045
Instrumentation: Clarinet & Piano

More about this title

Why we love this

This collection taps into the cultural moments your students actually care about. Harris has chosen pieces that work brilliantly on clarinet, which means your students get genuinely satisfying arrangements rather than awkward transcriptions, and the piano parts are idiomatic enough to keep collaborators engaged.

What to expect

Cinematic and urbane. The collection spans everything from the menacing minimalism of Halloween to the classical grandeur of Ode to Joy, but each piece carries the dramatic weight of its source film. There's real sophistication here, both in the original compositions and in how Harris has adapted them.

Who it's for

Clarinet students in their second or third year of study who need music that feels current and engaging. This book works equally well for the serious young player developing performance stamina and for community or adult learners who want material with immediate cultural resonance.

How to get the most out of it

  • Study the film scenes themselves before rehearsal. Watching a 30-second clip of Misiriou from Pulp Fiction or the opening of Halloween will ground your phrasing in the original intent far better than any annotation.
  • Balance the clarinet line against the piano without overpowering it. Many of these themes work best when the melody sits naturally within the texture rather than dominating the accompaniment.
  • Pay attention to the arrangement's harmonic choices. Harris often adapts the original orchestration for the duo medium, which means unexpected chord colors that deserve clear articulation to land.

How to use it

Use individual selections as recital pieces throughout the year, or program the entire collection as a thematic concert exploring film music across genres. A few of these pieces also work well as encores after more traditional programming, especially for younger audiences.

Skills your students will build

  • Sustaining lyrical lines with dynamic control over longer phrases
  • Interpreting period and stylistic cues from non-classical sources
  • Balancing melodic content with sensitive accompaniment listening
  • Navigating varied harmonic contexts and modal writing
  • Performing with dramatic intention and character awareness

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