Crutch: Authentic Guitar TAB
Theory of a Deadman
Item: 00-PS-0011422
One moment…
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Description
Titles: So Happy * By the Way * Got It Made * Not Meant to Be * Crutch * All or Nothing * Heaven (Little by Little) * Bad Girlfriend * Hate My Life * Little Smirk * End of the Summer * Wait for Me * Sacrifice.
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More about this title
About the Composer: Tyler Connolly
Tyler Connolly co-founded Theory of a Deadman in the late 1990s and has served as the band's primary songwriter and lead vocalist. His songwriting blends hard rock energy with introspective lyrics that resonate with listeners navigating personal struggle and resilience. Connolly's compositions on Scars & Souvenirs established Theory of a Deadman as major players in contemporary rock radio.
As a guitarist and bandleader, Connolly understands what makes rock material engaging for players. His riffs are rhythmically direct, emotionally charged, and sit comfortably under the fingers when arranged in TAB form, making his catalog accessible to intermediate and advancing guitarists.
Why we love this
Scars & Souvenirs hits the sweet spot for ensemble guitar programs and motivated self-teachers: the arrangements stay true to recorded versions while the tab notation eliminates the reading barrier that keeps many players from tackling contemporary rock. The collection spans the full album, so your guitarist can sink their teeth into a cohesive body of work rather than isolated tracks.
What to expect
Raw, direct, and heavy with an undercurrent of vulnerability. These songs drive forward with propulsive rhythms and thick power chord voicings, yet soften into moments of introspection where cleaner tones and simpler shapes carry real emotional weight. The energy swings between anthemic aggression and confessional restraint.
Who it's for
Intermediate and advanced guitarists seeking current rock repertoire that connects to the music they already love hearing on the radio. Solo players working through contemporary songwriting and ensemble guitarists preparing full-band arrangements of this album. Students who respond better to TAB than standard notation will find the transcriptions straightforward and motivating.
How to get the most out of it
- Anchor the rhythm section by locking the kick drum and bass guitar together on main riffs; this creates the foundation that lets lead and supporting guitars shine.
- Study the original recordings to absorb the exact tone and dynamics of each track; TAB shows you what to play, but the recordings show you how to shape it.
- When tackling power chord progressions, prioritize clarity over speed; ensure each chord change lands cleanly before pushing the tempo.
- Balance distortion levels across multiple guitar parts so no single voice masks the harmonic texture; listen back and adjust gain on rhythm and lead tracks separately.
How to use it
Feature this collection as the foundation for a contemporary rock ensemble unit, pairing selected tracks with vocals if your program includes singers. Solo guitarists can work through individual songs across a semester, giving them real radio hits to master rather than generic exercise material. The 116 pages support sustained engagement, whether you're building a setlist for a concert or simply having your guitarist develop fluency across modern rock vocabulary.
Skills your students will build
- Reading and executing power chord changes in standard rock tuning
- Interpreting rhythm notation within TAB to understand timing and palm muting
- Translating recorded performances into playable arrangements
- Developing tone control across distorted and clean guitar tones
- Building left-hand stamina through full-song performance