Crusaders And Victory Cover Image

Crusaders And Victory: Conductor Score & Parts

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Crusaders And Victory Cover Image

Crusaders And Victory: Conductor Score & Parts

Arranged by Percy Hall

Item: 36-20512001

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Description
"Crusader's Hymn" is one of the best known and loved hymn tunes. Of unknown origin, it was first published in 1842. The editor reported hearing it sung by haymakers in Silesia, now a province in southern Poland. "Victory" was composed by Giovanni Perluigi da Palestrina (1515?-1594) in 1591. William Henry Monk adapted the work as an Easter hymn in the mid-nineteenth century. This arrangement by Percy Hall for three trumpets is characterized by independent rhythms, giving players the opportunity to practice that crucial aspect of chamber music.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134063-7
ISBN13: 978-1-57-134063-4
UPC: 654690473134
SKU: 36-20512001
Instrumentation: Bb Trumpet Trio

More about this title

Why we love this

Hall's arrangement strips these two hymn tunes down to their essential melodic and harmonic character while creating genuine independence among the three parts. The independent rhythms elevate what could have been a straightforward transcription into a chamber work that demands real listening and coordination from the players.

What to expect

Stately and reverent, with the spiritual weight of two beloved hymn tunes. The independent rhythms create texture and forward motion that keeps the arrangement engaging and modern in spirit while honoring the timeless character of the melodies themselves.

Who it's for

Intermediate to advanced trumpet players who are ready for genuine chamber repertoire. This works for brass chamber ensembles, church music programs, festival performances, or any setting where three trumpets can rehearse together with a conductor.

How to get the most out of it

  • Balance the melodic line across all three parts. Since each trumpet carries material independently, clarity about which voice leads in any given phrase will prevent the arrangement from becoming muddy.
  • Use the conductor score to establish secure entrances. Independent rhythms mean parts do not always align, so rehearse with attention to how voices weave together rather than doubling each other.
  • Shape each phrase with awareness of the underlying hymn tune. These melodies benefit from gentle rubato and vocal phrasing rather than metronomic precision.

How to use it

Program this as a bridge between hymn-based church music and secular chamber repertoire. It works particularly well in ecumenical or interfaith concert settings, or as an accessible introduction to chamber music in a school brass program.

Skills your students will build

  • Reading and executing independent rhythmic lines in ensemble
  • Balancing parts while maintaining individual voice integrity
  • Phrase shaping and phrasing in hymn-tune arrangements
  • Collaborative listening and ensemble coordination without traditional doubling

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