Crown Him Lord Of All (A Concerto on "All Hail The Power Of Jesus' Name") (Brass): Choral Instrumental Pak

Martin's decision to weave three distinct tunes around this beloved hymn text creates something more architecturally interesting than a single setting. The addition of brass, percussion, and handbells transforms what could be a straightforward vocal piece into a genuinely festive concerto that works equally well as a worship opener or concert feature. Choirs consistently respond to his arrangements because they balance musical substance with singability.

Bright, celebratory, and ornate. The three melodic ideas unfold with the pageantry of a processional, creating layers of familiarity and discovery as listeners recognize each tune. There's an undeniable ceremonial quality here, yet the writing remains warmly inviting rather than forbidding.

Directors programming opening anthems for worship services or formal concerts who want something with genuine musical architecture rather than a simple setting. Choirs with access to brass players and percussion will find this arrangement unlocks the full vision; smaller ensembles can adapt by emphasizing handbells and reducing brass parts.

• Balance the hymn tune's prominence against the instrumental colors; brass should enhance rather than overpower the choir's primary melodic line
• Coordinate handbells with percussion to establish the rhythmic sparkle that makes the opening truly festive
• Use the triptych structure as a rehearsal tool by learning and performing each section independently before joining them
• Engage your congregation early if this opens a service; a brief introduction to the three tunes helps them follow the musical journey

Open an Easter Sunday or Christmas Eve service with this to establish festive energy from the first moment. Its concerto structure also makes it an excellent standalone concert selection when you want an opener that demonstrates your ensemble's full instrumental and vocal capabilities. The arrangement works particularly well in settings where both choir and congregation participate, since the hymn text's familiarity invites broad participation.

• Balancing choral texture against multiple instrumental timbres
• Learning and performing music structured as a theme with variations
• Responding to dynamic and textural changes that require ensemble flexibility
• Rehearsing liturgical or ceremonial music with proper architectural phrasing