Crossin' Ovah Sheet Music Preview

Crossin' Ovah: SATB Choral Octavo

By Richard Jackson

Item: 00-PO-0005072

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$2.25

Minimum order quantity: 20 copies

Description

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Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0005072

More about this title

Why we love this

Richard Jackson's setting captures the spiritual fervor and rhythmic vitality of the tradition without relying on arrangements of existing melodies. The a cappella writing sits comfortably for SATB ensembles while demanding genuine musicality from every voice part, making it as satisfying to rehearse as it is to perform.

What to expect

The work channels the resilience and joy at the heart of the spiritual tradition. Rhythmic precision meets warm harmonies, creating a piece that feels both grounded and uplifting, inviting singers and listeners alike into a moment of shared reverence and celebration.

Who it's for

SATB choirs seeking concert and festival repertoire with genuine spiritual substance. This piece works equally well for community choirs, collegiate ensembles, and church programs that want material with depth and cultural grounding.

How to get the most out of it

  • Shape each phrase with purposeful breath support; the a cappella texture exposes every entrance and release. Plan these moments deliberately in rehearsal so they feel organic rather than mechanical.
  • Find the rhythmic pocket early. Once your ensemble locks into the groove, the piece gains momentum and presence without needing instrumental accompaniment to anchor it.
  • Balance the voices so no single part dominates. In a cappella SATB, clarity comes from proportional weight, not volume.
  • Record yourselves in rehearsal and listen critically to intonation and blend. Without instrumental reference, you'll hear tuning issues immediately and address them with purpose.

How to use it

Program this as a concert anchor rather than a secondary piece. Its length (12 pages) and stylistic substance give it enough weight to stand confidently alongside secular repertoire or to open a set of spirituals if you're building a thematic program.

Skills your students will build

  • A cappella intonation and blend in SATB voicing
  • Rhythmic precision and ensemble cohesion without instrumental support
  • Expressive phrasing and breath management in four-part writing
  • Understanding spiritual tradition and its musical and cultural context

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