Cross the Wide Missouri (High Voice), from Folk Songs for Solo Singers, Vol. 1 Cover Image

Cross the Wide Missouri (High Voice), from Folk Songs for Solo Singers, Vol. 1: SoundTrax Digital Audio Download

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Cross the Wide Missouri (High Voice), from Folk Songs for Solo Singers, Vol. 1 Cover Image

Cross the Wide Missouri (High Voice), from Folk Songs for Solo Singers, Vol. 1: SoundTrax Digital Audio Download

11 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

Arranged by Don Besig and Nancy Price

Item: 00-A-00015853

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
SKU: 00-A-00015853

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later recognized with the Distinguished Alumni award. His career spans both the publishing world, where he spent eight years in rights and licensing administration and served on the Executive Board of the Music Publishers Association of America, and composition, where he has established himself as a prolific creator of choral works across all levels of difficulty.

With more than 800 compositions in print, Althouse's music circulates widely throughout English-speaking choral communities. He is a writer member of ASCAP and a consistent recipient of the ASCAP Special Award. Beyond composition, he has curated and arranged numerous vocal solo collections, co-authored instructional resources including The Complete Choral Warm-up Book and Accent on Composers, and created classroom materials focused on music literacy and composer study. His collaborative work with his wife Sally K. Albrecht includes children's musicals and I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. Althouse currently serves on the National Advisory Board of the Folk Art Society of America and contributes writing to its quarterly publication.

Why we love this

Althouse's arrangements of American folk songs respect both the authenticity of the source material and the needs of developing solo singers. This high voice version sits comfortably in a range where young singers can focus on phrasing and storytelling without strain, making it an excellent choice for students building confidence in solo performance.

What to expect

The melody carries the weight of travel and longing, shaped by the American landscape and the experiences of those who crossed rivers and settled new territories. Althouse's arrangement honors the directness of traditional folk singing while offering enough musical support to help younger voices feel secure.

Who it's for

High voice solo singers at the intermediate level who are ready to perform narrative folk material with stylistic awareness. This works well for students preparing for recitals, competitions, or concert programs that feature American repertoire, and serves as a bridge between art song and folk traditions.

How to get the most out of it

  • Let the narrative drive your interpretation. 'Cross the Wide Missouri' tells a story of journey and longing, so shape your phrases to highlight the emotional arc rather than treating each verse identically.
  • Balance the melodic line with the digital accompaniment by listening carefully during rehearsal; the accompaniment is a partner, not a bed to sing over.
  • Pay attention to where Althouse's arrangement breathes. Folk songs often have natural resting points that differ from the lyric line, and respecting these makes the piece feel more authentic.
  • Work the text for clarity and meaning. American folk songs rely on their lyrics to connect with listeners, so every word should land with intention.

How to use it

Pair this with other selections from Folk Songs for Solo Singers to create a folk-themed recital, or include it in a concert exploring American identity and migration. It also serves as an engaging option for spring or end-of-year solo showcases where developing singers can demonstrate both technical facility and interpretive maturity.

Skills your students will build

  • Narrative interpretation of folk material
  • Phrasing across longer melodic lines
  • Text clarity and word stress in storytelling
  • Responding to digital accompaniment in performance
  • Understanding regional American vocal traditions

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