Crazy Little Thing Called ROCK (arr. Tom Anderson): Choral Instrumental Pak
As performed by Queen Billy Joel / As performed by Queen / Arranged by Tom Anderson
Item: 35-PK00435540
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Description
Written by Freddie Mercury, this infectious "rock-shuffle" style is mashed up with the Billy Joel classic "It's Still Rock and Roll To Me" and combined we have a great time. There is room to feature a talented soloist and the choral writing is strong.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00435540
More about this title
About the Artist: Queen Billy Joel
Queen redefined rock music in the 1970s and beyond through Freddie Mercury's uncompromising vocals, Brian May's signature guitar work, and the band's theatrical approach to composition and performance. Their catalog spans from hard rock to pop sensibilities, making them endlessly adaptable for educational arrangements.
Billy Joel built a career on accessible songwriting that bridges classical training with popular idiom, earning him a reputation as a "Songwriter's Songwriter." His ability to craft memorable hooks and sophisticated chord progressions has made his music a staple in music education for decades.
Why we love this
Tom Anderson's mash-up captures the swagger of two icon-tier artists without sacrificing coherence. The arrangement gives your ensemble a legitimate reason to explore rock shuffle feel and contemporary style while maintaining the choral craftsmanship that keeps singers engaged.
What to expect
Energy meets precision. The rock shuffle grooves forward with infectious momentum while the choral writing demands genuine musicianship and blend. It feels celebratory without being frivolous, fun without being lightweight.
Who it's for
Choirs seeking contemporary material that doesn't shy away from style and attitude. This works for programs wanting to build rock credibility or for ensembles that already engage popular repertoire and want something with real harmonic and structural sophistication.
How to get the most out of it
- Nail the shuffle subdivision before adding lyrics. This isn't straight eighth notes, and locking the feel early makes everything else fall into place.
- Let the featured soloist breathe. If you have a singer with contemporary chops, give them space to own their moment; the arrangement supports a confident lead.
- Balance the mashed-up sections so neither song overshadows the other. Each melodic moment should land with equal clarity, even as they weave together.
How to use it
Consider this for a pops concert or a spring show where you want to close strong with something the audience already loves. It also works well as a bridge between classical and contemporary repertoire in programming that shows your choir's range.
Skills your students will build
- Rock shuffle feel and swing interpretation
- Balancing choral blend with contemporary style
- Quick meter shifts and harmonic transitions
- Singing with contemporary articulation and attitude
- Following a featured soloist while maintaining ensemble cohesion