Crazy Little Thing Called Love (arr. Mark Brymer): Choral Instrumental Pak
As performed by Dwight Yoakam / As performed by Queen / Arranged by Mark Brymer
Item: 35-PK01574787
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Description
Dwight Yoakum topped the country charts with his remake of the 1980 #1 song by Queen.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK01574787
More about this title
About the Artist: Dwight Yoakam
Dwight Yoakam brought country music into the mainstream during the 1980s and 1990s with his distinctive vocal style and willingness to reimagine songs across genres. His 1986 cover of "Crazy Little Thing Called Love" demonstrated his ear for material that transcended category lines, earning him crossover success on both country and pop charts. Yoakam's interpretations consistently showcase how a strong artistic vision can make a song entirely new while honoring its original spirit.
For music educators, Yoakam's catalog offers accessible entry points into contemporary repertoire that engages students who might not otherwise connect with traditional choral music. His records prove that genre boundaries in education are less important than finding material that motivates singers and musicians to invest genuine effort.
Why we love this
Mark Brymer's arrangement captures the infectious energy of this 1980 Queen hit without sacrificing singability or accessibility. The chart works equally well for singers discovering this tune through Yoakam's version or those who know Queen's original, making it a bridge between musical worlds. Students recognize it immediately, which converts reluctant singers into engaged performers.
What to expect
Playful and energetic, with the kind of infectious groove that makes singers want to move. There's swagger in this tune without pretension, and room for personality in performance. The arrangement likely sits somewhere between rock confidence and choral warmth.
Who it's for
Choirs seeking contemporary material with immediate appeal to teenage singers; bands and orchestras looking for crossover repertoire that doesn't feel didactic or dated; programs balancing classical literature with popular music that energizes rehearsals and builds audience connection.
How to get the most out of it
- Keep the rhythm section locked tight on the backbeat. The pocket here is everything; even slight timing inconsistencies pull the whole arrangement apart.
- Shape the verse sections with restrained dynamics so the chorus hits with genuine impact. Resist the urge to sing out during setup material.
- Let the instrumental parts breathe between vocal phrases rather than doubling them. The arrangement likely leaves space intentionally, and filling it muddies the texture.
- Balance the lead vocal carefully against the harmonic support. This song lives in its melody, so everything else serves that line.
How to use it
Schedule this as a closer or encore at spring concerts where you're programming a mix of traditional and contemporary work. It can also anchor a "Great Covers" or "Pop Reimagined" section on a fall concert. Consider pairing it with other well-known rock standards to create a thematic set that keeps the audience engaged.
Skills your students will build
- Singing in a contemporary rock idiom with proper microphone technique
- Maintaining a strong rhythmic pulse in syncopated material
- Balancing melodic expression with ensemble cohesion
- Performing with style consistency across multiple choruses
- Responding to instrumental accompaniment cues