Crazy Little Thing Called Love (arr. Mark Brymer) Sheet Music Preview

Crazy Little Thing Called Love (arr. Mark Brymer): SATB Choral Octavo

As performed by Dwight Yoakam / As performed by Queen / Arranged by Mark Brymer

Item: 35-DS00435651

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00435651

More about this title

About the Artist: Dwight Yoakam

Dwight Yoakam brought country music into the rock and roll arena during the 1980s, building a career on electric guitar, honky tonk vocals, and a willingness to blur genre boundaries. His version of "Crazy Little Thing Called Love" transformed Queen's original into something distinctly his own, proving the song's universal appeal across musical communities.

As both a recording artist and performer, Yoakam demonstrated how traditional country sensibilities could coexist with contemporary rock production. His interpretations have become teaching tools in their own right, showing students how arrangements can honor a song's core identity while shifting its cultural context.

Why we love this

Mark Brymer's arrangement captures the infectious energy of this song without demanding vocal gymnastics, making it accessible to high school and community choirs while keeping the rock edge intact. The SATB voicing sits naturally across all four parts, with the melody fully supported but never buried. Programming this gives you a crowd pleaser that audiences recognize instantly, yet something your singers will genuinely enjoy rehearsing.

What to expect

Playful and propulsive. The arrangement bounces with infectious rhythm while keeping enough harmonic sophistication to feel earned rather than novelty. Your singers will feel the swagger of the original while inhabiting their own interpretation.

Who it's for

High school and community choirs looking for contemporary repertoire with genuine rock credentials. This works equally well for directors seeking a fun concert closer or a pop showcase number that doesn't compromise musical integrity.

How to get the most out of it

  • Lock the rhythmic groove before worrying about blend. This arrangement thrives on rhythmic precision, so have the choir snap fingers or tap their feet through several run-throughs to internalize the pulse.
  • Blend the unison sections by emphasizing vowel consistency rather than volume matching. When sopranos and altos sing together, make sure the "ay" in "Crazy" hits the exact same color across all voices.
  • Keep the energy up through repeated sections. The repetitive nature of the song structure can lull singers into autopilot, so vary your conducting dynamics slightly to maintain forward motion.
  • Balance the bass line with the melody. The lower voices carry harmonic weight here, but they shouldn't overpower the top line. Rehearse the bass and soprano together periodically to establish their relationship.

How to use it

Consider pairing this with other rock or pop arrangements to create a mini genre showcase, or use it as a palate cleanser between heavier classical pieces in a mixed concert. The 10 pages move quickly, making it ideal for a concert finale where you want to send the audience home smiling.

Skills your students will build

  • Rhythmic precision in syncopated pop/rock meter
  • Blending sustained vowels across multiple voice parts
  • Maintaining forward motion through repetitive melodic and harmonic structures
  • Balancing harmony voices with the top line
  • Rock and contemporary performance style and articulation

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