Crazy Little Thing Called Love (arr. Hans Reintjes) Sheet Music Preview

Crazy Little Thing Called Love (arr. Hans Reintjes): SSAA Choral Octavo

As performed by Queen / Arranged by Hans Reintjes

Item: 35-DS00490994

Digital Download
$2.99
Description

Crazy Little Thing Called Love (arr. Hans Reintjes): SSAA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 114
SKU: 35-DS00490994

More about this title

About the Artist: Queen

Queen emerged from the British rock scene in the 1970s with a distinctive sound that blended hard rock, opera, and theatrical flair. Fronted by Freddie Mercury's unparalleled vocal range and charisma, the band became known for crafting anthemic songs that combined sophisticated harmonic arrangements with raw emotional power. Their catalog remains a goldmine for choral arrangers seeking repertoire that engages singers through immediately recognizable melodies and unexpectedly rich harmonic content.

The band's influence on popular music extends far beyond their own era. Their willingness to experiment with unconventional song structures, layer vocal harmonies in complex ways, and juxtapose delicate passages with explosive energy opened doors for generations of musicians. For choirs, Queen's music offers the rare gift of repertoire that students recognize, audiences love, and arrangers can explore with genuine musical substance.

Why we love this

Hans Reintjes captures the infectious joy and rhythmic drive of this classic while making it genuinely singable for mixed voices. The arrangement respects the pop sensibility of the original, never losing sight of the song's playful energy, while introducing harmonic layers that reward careful ensemble work.

What to expect

The arrangement captures the playful irreverence of the original track, with conversational lyrics and a groove that makes singers want to move. Beneath the surface buoyancy lies clever harmonic writing that gives each voice part something interesting to contribute, creating a sense of shared discovery as the arrangement unfolds.

Who it's for

Choirs ranging from intermediate to advanced level will find this arrangement accessible yet substantive. It works beautifully for groups seeking pop and rock repertoire that feels current and fun while still building genuine musicianship.

How to get the most out of it

  • Keep the rhythm section (bass line, drums) locked and forward moving; this arrangement thrives on rhythmic precision rather than rubato
  • Shape the dynamic arcs in the verse sections with restraint; save your dramatic peaks for the moments when all four parts converge in harmony
  • Pay attention to the syllabic text setting in the faster sections; clarity of diction supports the conversational, casual tone of the lyric
  • Balance the soloistic moments (especially soprano) against the harmonic support from the other voices so the tune remains the focal point

How to use it

Pair this with other Queen selections or contemporary pop arrangements to program a concert section that celebrates the band's enduring appeal. It also serves as an excellent closing number or finale piece; the infectious groove and immediate recognizability create a natural bridge between your choir and the audience's own musical memories.

Skills your students will build

  • Four-part harmonic listening and blend in contemporary idioms
  • Rhythmic precision in syncopated, groove-based accompaniment patterns
  • Maintaining vocal line independence while supporting ensemble cohesion
  • Stylistic interpretation of rock and pop language within choral context
  • Text projection and clarity at faster tempos

You May Also Like