Crazy Little Thing Called Love (arr. Hans Reintjes): SAB Choral Octavo

Hans Reintjes has crafted an arrangement that captures the infectious hook and rhythmic drive of the original while making it genuinely singable for developing choirs. The SAB voicing sits perfectly in accessible ranges without sacrificing the song's inherent charm and humor. Your students will recognize it instantly, which means they'll bring energy and commitment from day one.

Playful and irresistible, with the kind of melodic lightness that makes people smile. The arrangement preserves the original's swagger while adding harmonic and rhythmic textures that feel modern without being trendy.

Intermediate to advanced high school choirs and community groups ready to tackle a contemporary pop arrangement with rhythmic sophistication. Singers comfortable with the SAB format and confident enough to own a rock sensibility will thrive here.

• Keep the sixteenth note rhythms crisp and connected; this arrangement's groove lives in the precision of the rhythmic counterpoint, not in rushing ahead.
• Balance the soloists or melodic moments against the choir to maintain clarity without losing the driving momentum that makes this song work.
• Shape the dynamic arc across each phrase so the familiar hook lands with genuine sparkle rather than sounding predictable.

Program this as a concert closer or anchor your spring pops concert around it. The familiarity and joy it generates make it ideal for audience engagement, and its energy level provides the perfect contrast to heavier classical or art song programming earlier in the set.

• Rhythmic independence in rock and pop contexts
• Sustaining energy and groove across eight-bar phrases
• Balancing soloists or featured parts with choral texture
• Interpreting contemporary vocal phrasing and style