Crazy Little Thing Called Love (arr. Deke Sharon) Sheet Music Preview

Crazy Little Thing Called Love (arr. Deke Sharon): SATB Choral Octavo

As performed by Queen / As performed by Freddie Mercury / As performed by Anne Raugh / Arranged by Deke Sharon

Item: 35-DS00299828

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS00299828

More about this title

About the Artist: Queen

Queen redefined what a rock band could achieve in the studio and on stage, blending operatic ambition with infectious pop hooks and virtuosic musicianship. Freddie Mercury's four-octave vocal range and fearless interpretation became the blueprint for generations of singers willing to push beyond conventional boundaries. The band's catalog spans decades of innovation, making their arrangements a natural fit for choral programs seeking songs that challenge and excite singers of all levels.

Why we love this

Deke Sharon's arrangement captures the rhythmic swagger and harmonic cleverness of the original without requiring instrumental accompaniment, letting your voices carry the full weight of Queen's iconic energy. The writing sits comfortably for mixed voices while maintaining the song's playful attitude and memorable hooks that audiences recognize instantly. This is the rare pop arrangement that feels equally at home in a concert setting and a more casual showcase.

What to expect

Cheeky, infectious, and impossible to take too seriously. The arrangement bounces with the original's playful irreverence while giving singers moments to lock into tight harmonies that feel both modern and satisfying.

Who it's for

Choirs with solid blend and rhythmic facility who want to program something contemporary that still demands musicality and precision. This works for high school groups through community ensembles comfortable with pop style and energetic performance.

How to get the most out of it

  • Nail the rhythmic precision of the opening statement. The groove depends on locked articulation and ensemble unity from the first measure.
  • Treat the bass line as your foundation instrument. Even in a cappella, a grounded, confident low voice transforms the whole sound.
  • Balance the swing and straightness of the rhythms carefully. Some passages sit naturally behind the beat; others need crisp, on-the-beat articulation.
  • Let the humor and lightness come through in your dynamics and tone. This song thrives on personality, not polished perfection.

How to use it

Save this for a concert that needs a strategic shift in energy. It pairs well with other Queen material or classic rock covers, and works especially effectively as a penultimate number before a finale that either matches or contrasts its momentum.

Skills your students will build

  • Rhythmic precision in syncopated pop idioms
  • Sustaining groove and pulse without instrumental support
  • Blend and balance in block harmony writing
  • Interpretation of contemporary pop phrasing and articulation
  • Confidence performing music with personality and attitude

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