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Crazy Carols: Choral Octavo SoundTrax CD

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Crazy Carols Cover Image

Crazy Carols: Choral Octavo SoundTrax CD

Tardy Bell / O Christmas Tree / When You Are Jolly / We Wish You a Tasty Fruitcake

Traditional Carol Melodies, words by Kirby Shaw / arr. Kirby Shaw

Item: 00-SVM03096CD

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Description
Just when you thought you'd heard everything! Now Kirby Shaw brings forth his light-hearted (ok, crazy!) approach to four Christmas favorites in this extraordinary holiday novelty. It's fun! It's fresh! Maybe even irreverent, but you'll have lots of fun with this one!

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Additional Details
Publisher: Alfred Music
UPC: 654979063025
SKU: 00-SVM03096CD

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw's influence spans choral music education across North America, Europe, and beyond, having conducted workshops in 45 states and internationally in countries including Canada, Australia, Sweden, Italy, Spain, and Germany. He holds degrees in Music Education and Choral Composition from San Jose State University and earned a DMA in Choral Conducting from the University of Washington. His teaching style blends deep musical knowledge with infectious humor, a combination that has shaped vocal programs from his early work in Mt. Shasta public schools through his leadership of acclaimed jazz ensembles at College of the Siskiyous, Colorado State University, and the University of Missouri at Kansas City.

As a composer and arranger, Shaw has created more than 2,500 works for choral forces, generating worldwide performances and nearly 20 million copies in sales. He has produced hundreds of educational recordings, directed collegiate albums, and collaborated with jazz vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks. Shaw serves as director of the Jefferson State Choral Coalition at Southern Oregon University and is a member of Just 4 Kicks, a jazz-focused a cappella quartet. His prolific output has earned multiple ASCAP awards, and he and his wife Markita recently co-authored an original musical adaptation of Dickens' A Christmas Carol titled Scroogical.

Why we love this

Shaw's reputation for infusing humor into choral music without sacrificing musicianship makes this collection exactly what many directors need during the holiday season. These four arrangements feel genuinely inventive rather than merely wacky, delivering the novelty factor that energizes rehearsals while still requiring real vocal execution from singers.

What to expect

These arrangements sparkle with irreverence and playfulness. You'll find unexpected harmonic twists, rhythmic surprises, and moments of delightful musical mischief woven through recognizable holiday melodies, creating arrangements that feel both contemporary and rooted in the songs audiences know.

Who it's for

Choirs looking to program something genuinely fresh and engaging for holiday concerts, particularly those with singers who thrive on music that doesn't take itself too seriously. This octavo works well for mixed or treble choirs seeking material that builds ensemble energy and maintains audience engagement during the final weeks before winter break.

How to get the most out of it

  • Commit fully to the comedic intent. Shaw's humor lands only when singers perform with confidence and precision rather than winking at the audience.
  • Use the recorded accompaniment strategically during early rehearsals to lock in the distinctive character of each arrangement, then gradually build independence as the choir gains security.
  • Balance the irreverent moments with clean articulation and phrase shaping so the novelty quality enhances rather than obscures the musical line.
  • Work dynamics carefully. The 'crazy' element often depends on unexpected shifts in volume and intensity, so map these together before dress rehearsals.

How to use it

Program this as a finale or highlight segment that shifts the mood of a concert and leaves the audience smiling. The novelty context makes it especially effective in the second half of a winter concert, after more traditional or serious selections have established the choir's musical credibility.

Skills your students will build

  • Performing with stylistic control in non-traditional contexts
  • Maintaining precision during rhythmically complex or syncopated passages
  • Balancing humor and musicality without sacrificing intonation or blend
  • Following ensemble cues in arrangements with unexpected harmonic and melodic turns

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