County Kerry: Cello Sheet Music Preview

County Kerry: Cello

By Susan Day

Grade: 2

Item: 00-PC-0019135_VC1

Digital Download
$3.00
Description
County Kerry is a fun and lively jig written by Susan H. Day, inspired by and paying tribute to County Kerry, a popular area of western Ireland. Written in 6/8 time and D minor, the piece features melodies for all, 3-note slurs, hooked bowings, left-hand pizzicato, and a strong driving rhythm. Perfect for any performance occasion! (2:50)

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
  • Assignment, recording, and assessment tools within MakeMusic Cloud
  • Piece-specific exercises focused on skills and techniques
  • Educational tips and suggestions to support learning

Available in print and digital formats.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, County Kerry: Cello comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Highland/Etling String Orchestra - PerformancePlus+
Publisher: Alfred Music
SKU: 00-PC-0019135_VC1

More about this title

Why we love this

County Kerry gives Grade 2 orchestras the gift of real folk character without oversimplifying the musical writing. Day's approach to this Irish jig respects the style while building genuine technical skills through left-hand pizzicato, slurred bowings, and rhythmic precision that will engage your players without overwhelming them.

What to expect

Bright and propulsive, with the irresistible forward momentum of an Irish jig. The piece captures the warmth and spirit of County Kerry's traditional music while remaining accessible to developing orchestras.

Who it's for

String orchestras at the Grade 2 level looking for repertoire with genuine cultural voice and appropriate technical challenge. This works equally well for groups building ensemble skills or preparing festival and contest programs.

How to get the most out of it

  • Anchor the rhythm section's driving pulse first; the jig's energy depends on a rock-solid foundation from lower strings before melody voices enter.
  • Shape the 3-note slurs with a slight swell to each group, allowing them to breathe naturally rather than flatten across the measure.
  • Practice left-hand pizzicato separately until the technique feels secure; once mastered, it adds authentic texture that students will enjoy performing.
  • Let the hooked bowings define the jig's character; these articulations are essential to the style, not ornamental, so spend rehearsal time on clean, consistent execution across sections.

How to use it

Program this as a mid-season energizer or as part of a folk music themed concert. Its 2:50 duration makes it an ideal pairing with contrasting longer works, and the festive character provides a natural lift in any concert flow.

Skills your students will build

  • Reading and performing in compound meter (6/8 time)
  • Left-hand pizzicato technique
  • Slurred bowings across multiple notes
  • Hooked bowings for rhythmic clarity
  • Maintaining driving rhythmic pulse in ensemble
  • Stylistic interpretation of folk music idioms

You May Also Like