Cotton Candy Cover Image

Cotton Candy: Soprano, Alto, Tenor & Baritone Saxophones (SATB or AATB) Score & Parts

$15.00 USD
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Cotton Candy Cover Image

Cotton Candy: Soprano, Alto, Tenor & Baritone Saxophones (SATB or AATB) Score & Parts

By David Marlatt

Level: Medium-Difficult

Item: 81-SQ1270

$15.00
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Description
"Cotton Candy" is a quick, light and fun tune intended as a closer or encore on a concert. It is musically simple and the harmonies are typical of cartoon or circus music. The title suggests the gaiety that one would encounter at a town fair or circus, eating "food" that is nothing but sugar!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 16
ISBN10: 1-55473-838-5
ISBN13: 978-1-55473-838-0
UPC: 685462018390
SKU: 81-SQ1270
Instrumentation: Soprano, Alto, Tenor & Baritone Saxophones (SATB or AATB)

More about this title

Why we love this

Cotton Candy nails the balance between accessibility and genuine musicality. You get a piece that works as a crowd-pleaser and concert closer without sacrificing the fun of playing it. The cartoon harmonies are instantly recognizable and immediately engaging, which means your saxophone players stay energized even as audiences relax into the finale.

What to expect

Imagine walking through a county fair and stumbling into the candy stand. Bright, unpretentious, a little bit silly. The harmonies evoke that nostalgic carnival sound, the kind that makes you grin even when you know it's shameless fun.

Who it's for

Saxophone quartet ensembles looking for a piece that closes a concert on a high note without requiring advanced technical chops. This works equally well for student ensembles or community groups where the goal is leaving the audience smiling.

How to get the most out of it

  • Lean into the circus character with deliberate articulation. Light tonguing on the melody keeps it bouncy without overselling the joke.
  • Balance the parts so the soprano line cuts through clearly, but don't let the supporting saxes fade into the background. Each voice should have presence.
  • Set a tempo that feels playful but controlled. Too slow loses the energy; too fast makes the harmonies muddy.

How to use it

Save this for your final piece or encore slot. It's a natural wind-down after more substantial repertoire, and it leaves the audience in such a good mood they'll remember the whole concert more fondly. Pairs well with a jazz standard or another novelty piece if you're programming a lighter second half.

Skills your students will build

  • Ensemble blend in four-part saxophone writing
  • Light articulation and phrasing in a fast tempo
  • Reading SATB and AATB voicings
  • Maintaining rhythmic precision in a comedic context

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