Cossacks of the Steppe: TB Choral Octavo

Gary Parks writes choral music that grabs singers by the collar and doesn't let go. The strong vocal phrases and proud harmonies in this piece give every singer something to sink their teeth into, and the optional percussion parts transform it from a good choral moment into something your ensemble will talk about for weeks.

Rugged energy on horseback. The vocal writing captures the bravado of mounted warriors with strong, unapologetic phrases that sit well for male singers. When the optional percussion kicks in, you're no longer in a concert hall; you're galloping across open steppe.

Directors building treble and baritone sections who want secular repertoire with real testosterone and swagger. This arrangement accommodates TB, TTB, TBB, and TTBB voicings, making it flexible for programs with shifting voice distribution.

• Treat the optional woodblock and tambourine parts as essential to the piece's character, even if you have only one or two percussionists. These parts drive the rhythmic energy that makes the galloping hooves feel real.
• Shape the strong vocal phrases with intention; these are declarations, not genteel statements. Encourage your singers to feel the pride and bravado in every phrase.
• Layer in the boisterous cries gradually during rehearsal rather than from the start. Once singers understand the drama of those moments, they'll deliver them with genuine conviction.
• Balance the two-part harmonies carefully so that both the melody and supporting part land with equal weight. Neither voice should feel secondary.

Pair this with other secular character pieces to build a concert that showcases your ensemble's range beyond traditional sacred fare. It works as a strong opening number that sets an energetic tone, or as a mid-concert pick-me-up when energy needs lifting.

• Singing in two-part harmony with melodic independence
• Sustaining confident vocal projection through strong phrases
• Coordinating with optional percussion parts (woodblock and tambourine)
• Interpreting dramatic character and bravado in secular choral music