Coplandia Cover Image

Coplandia: Woodwind Ensemble Score & Parts

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Coplandia: Woodwind Ensemble Score & Parts

By Jeff Smallman

Level: Medium

Item: 81-WWE971

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Description
Coplandia is a woodwind octet scored for 2 flutes, 2 oboes, 2 clarinets, 1 bass clarinet and 1 bassoon. As the title suggests, this piece uses harmonies reminiscent of those used by Aaron Copland in pieces such as Appalachian Spring. This is an excellent showpiece to explore musical colours, the mixing of the sounds of various woodwind instruments in their different ranges. This piece should prove very accessible for the beginning instrumentalist.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-239-X
ISBN13: 978-1-55472-239-6
UPC: 685462011452
SKU: 81-WWE971
Instrumentation: 2 Flutes, 2 Oboes, 2 Clarinets, Bass Clarinet, Bassoon

More about this title

Why we love this

Smallman captures the open, warm harmonic language of American pastoral music without requiring advanced musicianship from your players. The scoring demonstrates real orchestration craft, yet each part remains singable and rewarding, making it an ideal choice for festivals where you want your ensemble to sound polished and confident.

What to expect

Coplandia evokes the spaciousness and optimism of American landscape music. The piece unfolds with unhurried grace, allowing different woodwind colors to emerge and recede, creating a sonic palette that feels both familiar and freshly orchestrated.

Who it's for

Intermediate woodwind ensembles with balanced instrumentation across all eight parts. This work suits groups looking for a piece that teaches ensemble blend without sacrificing musical substance, and it works well for ensembles preparing for contest or festival performance.

How to get the most out of it

  • Balance the two oboe and two clarinet lines carefully during sustained passages. These inner voices carry harmonic color, so they need presence without overwhelming the flute melody.
  • Treat the bass clarinet as a solo voice when it emerges from the foundation. It deserves clear articulation and enough air support to sit between the bassoon and upper woodwinds with definition.
  • The piece rewards a flexible approach to vibrato across sections. Flutes and oboes might use vibrato more generously in solos, while clarinets can reduce vibrato during harmonic blocks to achieve a more blended sonority.

How to use it

Slot this into a fall or spring concert where you want to showcase your woodwind section's sound quality and ensemble maturity. It pairs naturally with other contemporary works or shorter classical pieces, and the Coplandesque language gives audiences an accessible entry point into modern American composition.

Skills your students will build

  • Blending and balancing within harmonic chords across different instrument families
  • Sustaining tone quality and intonation over longer held passages
  • Reading and executing parts that are singable but require steady ensemble awareness
  • Understanding how orchestration choices affect musical color and texture

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