Cool Breeze Cover Image

Cool Breeze: Jazz Ensemble Conductor Score & Parts

$45.00 USD
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Cool Breeze Cover Image

Cool Breeze: Jazz Ensemble Conductor Score & Parts

Transcr. David Berger

Item: 00-25062

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Additional Details
Series: Essential Jazz Editions (Jazz at Lincoln Center)
Publisher: Alfred Music
Page Count: 68
UPC: 038081277585
SKU: 00-25062

More about this title

About the Arranger: David Berger

David Berger

David Berger has devoted his career to preserving and interpreting the language of swing and big band jazz. As conductor and arranger for the Lincoln Center Jazz Orchestra during its formative years (1988-1994), he helped establish the ensemble's distinctive sound while developing deep expertise in the repertoire that defined the era.

Why we love this

Berger's arrangements carry the weight of authentic scholarship. His transcription work on hundreds of classic recordings informs every phrase and voicing here, so students encounter jazz history not as a concept but as living musical language they can actually play.

What to expect

Cool Breeze moves with the ease and sophistication of a classic swing date. The arrangement breathes; it doesn't rush. You hear how the horns and reeds interweave, and there's room for the rhythm section to anchor everything with real presence.

Who it's for

Jazz ensembles with solid fundamentals in swing style and section reading. This score and parts set works for college-level groups and advanced high school ensembles ready to engage with historically grounded big band writing.

How to get the most out of it

  • Balance the ensemble texture by adjusting section volumes during rehearsal; the arrangement depends on hearing both the composed lines and the harmonic foundation beneath them.
  • Work with your rhythm section to establish a relaxed, conversational swing feel before addressing articulation and dynamics across the full ensemble.
  • Let younger players hear recordings of the Swing Era to internalize the stylistic vocabulary; Berger's writing assumes that foundation.
  • Mark phrase endings clearly so soloists know where the written parts support them and where they have freedom to stretch time.

How to use it

Use this as a centerpiece for a concert focused on swing repertoire or as a showcase for a full jazz ensemble alongside blues heads and more contemporary big band charts. It also works well mid-season when your group has developed enough ensemble cohesion to handle the voicing clarity the arrangement requires.

Skills your students will build

  • Reading and executing swing articulation and phrasing across sections
  • Listening for harmonic movement and implied changes while playing composed parts
  • Balancing individual lines within larger ensemble textures
  • Understanding stride patterns and comping vocabulary through performance
  • Responding to soloists and adjusting energy in real time

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