Contents May Be Hot!: 2nd Oboe
By JaRod Hall
Grade: 5
Item: 00-PC-0019805_O2
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About the Composer: JaRod Hall

JaRod Hall is a Texas-based composer and educator who earned his bachelor's degree in music education from the University of North Texas and completed a master's degree at Texas State University. His training spans conducting with Dr. Nicholas Williams and Dr. Caroline Beatty, composition with Dr. Michael Ippolito and Dr. Jack Wilds, and instrumental study in tuba and trombone under Don Little and Dennis Fisher.
As a band director for eight years, Hall built programs that consistently earned sweepstakes recognition at the Texas UIL Concert and Sightreading Evaluations, with his 2018 non-varsity band at Griffin Middle School becoming the first in Frisco ISD to receive the state-level Citation of Excellence. His performing credits include the North Texas Wind Symphony, the 3 O'Clock Lab Band, and principal tuba with the Texas State Wind Symphony. His compositions have been recognized on the Texas Prescribed Music List, the J.W. Pepper Editor's Choice list, and the Bandworld Top 100, with "Silver Fanfare" selected as a winner of the 2020 Dallas Winds Call for Fanfares and "Through the Storm" receiving the 2021 Barbara Buehlman Prize.
Why we love this
Hall channels the infectious rhythmic vocabulary of salsa into a Grade 5 work that never sacrifices musical substance for showmanship. The percussion writing alone justifies the program choice, and the careful voice leading in the brass and woodwinds keeps the energy focused rather than chaotic, making this genuinely rewarding to conduct and to hear.
What to expect
Propulsive and celebratory, with the brightness of a Latin dance floor translated into concert band color. The writing crackles with syncopated momentum and layered percussion textures that create constant forward drive, building to moments of genuine climactic heat.
Who it's for
Directors programming a Grade 5 festival or concert season who want students to tackle a culturally informed work with genuine rhythmic complexity. The piece serves ensembles ready to engage with non-traditional harmonic and metrical language while maintaining the accessibility of a solid mid-level concert band work.
How to get the most out of it
- Lock in the clave rhythm early in sectionals. The underlying salsa pulse won't feel natural to most students at first, so have brass and woodwinds isolate the fundamental rhythmic cells before adding layers.
- Balance the percussion texture deliberately. With "everything including the kitchen sink," the timbral richness can overwhelm; mark which colors should sit in front at each moment in your score.
- Push articulation clarity in the woodwinds during fast passages. The Latin idiom depends on crisp, pointed attacks to define the syncopation, especially when multiple sections trade figures.
- Shape the dynamic arc as a conductor using large, flowing gestures. The 3-minute-30-second runtime moves quickly, and students need visual momentum to avoid rushing through the climactic moments.
How to use it
Program this as a spring concert centerpiece that energizes audiences and gives students a tactile sense of cultural music-making. It pairs well alongside European concert works, offering stylistic contrast and demonstrating that concert band literature spans the full spectrum of global musical traditions.
Skills your students will build
- Recognizing and performing clave-based rhythmic patterns in ensemble context
- Executing syncopated articulations with precision and ensemble unity
- Balancing multiple timbral layers in a percussion-forward ensemble texture
- Interpreting dynamic shadings and phrasing in a non-traditional harmonic language
- Reading and executing Grade 5 rhythmic complexity at tempo (3:30 duration)