Contemporary Christmas Guitar Cover Image

Contemporary Christmas Guitar: Guitar TAB Book & CD

$22.99 USD
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Contemporary Christmas Guitar Cover Image

Contemporary Christmas Guitar: Guitar TAB Book & CD

Arrangements and recordings by David Cullen, Laurence Juber, and Doug Smith

Item: 00-SAIR010

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Description
This recent addition to the Acoustic Masterclass series features 12 beautiful acoustic guitar interpretations of classic Christmas music as performed by David Cullen, Doug Smith, and Laurence Juber. The included CD contains the original recordings from three beautiful Christmas CDs from Cullen, Smith, and Juber respectively. Arranged and recorded by Doug Smith, winner of the 2006 Fingerstyle Championship at Winfield Festival: Deck the Halls * Hark the Herald Angels Sing * I Saw Three Ships * Jingle Bells. Arranged and recorded by David Cullen: Go Tell It on the Mountain * O Come Emmanuel * O Come All Ye Faithful * Silent Night. Arranged and recorded by Laurence Juber: Away in a Manger * The Bells of Paradise * Good King Wenceslas * Jesu Joy of Man's Desiring. The CD alone will become one of your favorite holiday recordings and is included with this book at a great price!

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Sample Pages

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Sample Audio
1 Away In A Manger --:--
2 Deck The Hall --:--
3 Go Tell It On The Mountain --:--

Away In A Manger

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Additional Details
Series: Acoustic Masterclass
Publisher: Alfred Music
Page Count: 84
ISBN10: 0-7579-2375-5
ISBN13: 978-0-7579-2375-3
UPC: 654979082378
SKU: 00-SAIR010

More about this title

About the Arranger: Laurence Juber

Laurence Juber is a fingerstyle guitarist and composer whose work spans classical, jazz, and contemporary acoustic styles. His arrangements are known for their musicality and technical clarity, making complex pieces accessible to serious students without sacrificing artistic depth.

Why we love this

You get three distinct arranging voices on one disc, each bringing their own fingerstyle vocabulary to familiar material. The TAB book pairs perfectly with the recordings, letting students hear exactly how these pieces should breathe and where the finger work sits in the mix. It's rare to find holiday guitar music this sophisticated that still stays playable.

What to expect

These arrangements treat Christmas music with real musical intelligence. You'll find warm harmonic colors, tasteful counterpoint, and space for the instrument to resonate naturally. It's festive without being sentimental; thoughtful without losing joy.

Who it's for

Intermediate to advanced guitarists looking for repertoire beyond standard Christmas fare, and teachers who want to program serious acoustic guitar work during the winter season. This book works equally well for ensemble performance contexts or solo recitals.

How to get the most out of it

  • Listen through the corresponding arrangement on the CD multiple times before tackling the TAB. Each arranger's phrasing and tempo choices are subtle but important for authenticity.
  • Pay attention to open string resonance in pieces like 'Away in a Manger' and 'Silent Night.' Let notes ring where the arrangement allows rather than dampening them out of habit.
  • Work through the Juber arrangements slowly to lock in the countermelody and bass line interaction. These aren't single-line pieces, and rushing will blur the texture.
  • Use the rhythm section from Doug Smith's arrangements as a grounding reference if you're playing along with the CD. His fingerpicking patterns establish the harmonic foundation clearly.

How to use it

Feature this music in a December concert alongside classical chamber work or as part of a winter festival that mixes genres. Solo guitarists can build an entire short recital from these 12 pieces, or select three or four for a holiday assembly program. The quality of the playing on the included CD also makes it perfect for background music during rehearsals in November and early December.

Skills your students will build

  • Reading and executing fingerstyle TAB notation with multiple voices
  • Managing open string resonance and decay in acoustic settings
  • Interpreting variation in tempo and phrasing from recorded models
  • Balancing melody, countermelody, and bass line in three-voice writing
  • Applying left-hand muting and damping techniques selectively

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