Consider Yourself Sheet Music Preview

Consider Yourself: Piano Vocal

As performed by Michael Goodman / As performed by Lionel Bart / As performed by Judy Garland / As performed by Oliver! (Musical)

Item: 35-DS00023329

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00023329

More about this title

About the Artist: Michael Goodman

Michael Goodman is an accomplished pianist and vocalist whose interpretations of Broadway standards bring clarity and warmth to classic material. His work spans from theatrical performance to music education, where he has consistently demonstrated an ability to make beloved songs accessible to singers at all levels.

Why we love this

This arrangement captures the infectious optimism of Bart's melody while keeping the piano part grounded enough for student singers to navigate confidently. The four-page format respects both the song's narrative arc and the attention span of younger performers, making it an ideal choice for school concerts where you need something immediately recognizable and genuinely joyful.

What to expect

Warmth mixed with street-smart charm. The song radiates hope and belonging, with a melody that feels both comforting and energetic. Singing this creates an immediate connection to the audience; there's something about its directness that invites listeners into the moment.

Who it's for

This arrangement works beautifully for middle school and young high school singers preparing solo or small ensemble pieces. It's equally valuable for voice teachers seeking accessible Broadway material that builds confidence and musicality without excessive technical demands.

How to get the most out of it

  • Shape the opening phrases with gentle articulation in your left hand; the accompaniment should frame the voice rather than compete with it.
  • Lean into the rhythmic swagger of the chorus without rushing it. The song thrives on a slightly relaxed, conversational tempo.
  • Balance the vocal range carefully if you're working with younger singers. Don't let younger voices strain on higher passages; adjust transposition if needed.
  • Pay attention to Bart's use of syncopation in the melody. Drilling those rhythmic moments separately helps singers feel secure with the song's characteristic lift.

How to use it

Reserve this for a concert where you want an immediate emotional lift. It pairs well with other character songs from musicals, or it can stand alone as a powerful opener that sets a lighter, more accessible tone for an otherwise serious program.

Skills your students will build

  • Legit Broadway phrasing and diction in a contemporary musical context
  • Navigating syncopated rhythms in the vocal line
  • Balancing lyrical storytelling with rhythmic precision
  • Coordination between vocal phrasing and piano accompaniment

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