Conquest 1 (from the motion picture Ninja's Creed): 1st Percussion
By Kenneth Lampl
Grade: 5 (Difficult)
Item: 00-PC-0015368_PC1
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Conquest 1 (from the motion picture Ninja's Creed): 1st Percussion comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Kenneth Lampl

Kenneth Lampl's musical foundation spans both concert hall and screen. He performed as a jazz saxophonist with the Chico Hamilton Sextet at venues including the Apollo Theater and Lincoln Center before pursuing formal composition study at Juilliard, where he worked with Milton Babbitt and John Corigliano and later earned his D.M.A. His early success included winning the Prix Ravel in composition at the American Conservatory in Fontainebleau, followed by nine ASCAP Composer Awards, fellowships from the Mancini, Gershwin, and Rodgers foundations, and commissions from major American orchestras including Cincinnati, Dallas, and Kansas City symphonies.
Lampl's transition to film composition accelerated after a 1997 fellowship to Tanglewood where he studied scoring with John Williams. Since then, he has scored over 20 feature films including Ninja's Creed, Winter of Frozen Dream, and Kandisha, alongside contributions to the Pokemon film series. He has taught composition and directs the music business and technology program at Hofstra University.
Why we love this
Lampl's film scoring expertise translates into concert band writing that understands pacing, orchestration for maximum impact, and how to build genuine dramatic momentum. Grade 5 bands can access Hollywood-caliber excitement without sacrificing playability or coherent musical architecture. This score delivers the spectacle audiences crave while giving your ensemble genuinely rewarding material to rehearse and perform.
What to expect
Propulsive and visceral, Conquest 1 sustains forward momentum through relentless rhythmic drive and stacked instrumental layers that build toward a soul-stirring climax. The score pulses with orchestral density that makes every section of the band feel essential to the narrative arc, culminating in a finish potent enough to move an audience to their feet.
Who it's for
Grade 5 concert bands seeking a high-energy showpiece that combines accessible musicianship with cinematic production values. Directors who program film music alongside classical standards will find this score gives students experience with extended forms and orchestral writing techniques. Ensembles ready to tackle complex textures and demanding rhythmic coordination will thrive on this material.
How to get the most out of it
- Balance the layered textures by identifying which sections carry the primary melodic material in each section; secondary parts support rather than compete, so adjust volume accordingly during early rehearsals.
- Mark clear entrance cues throughout the score since the density of parts can obscure natural musical phrases; this helps the ensemble breathe together and prevents rushing during transitions.
- Establish the percussion section's rhythmic foundation early in the rehearsal process, especially the complex interaction between timpani, bass drum, and auxiliary percussion that drives the climactic passages.
- Shape the overall arc across the full 7:30 duration by planning two or three dynamic peaks rather than sustaining maximum intensity throughout; this keeps the audience engaged and gives your ensemble stamina reserves for the finale.
How to use it
Program this as a finale or penultimate work on a concert where you want maximum audience impact; the dramatic build and confident conclusion make it an ideal closer. Pairing it with a contrasting work earlier on the program (such as a lyrical contemporary work or classical arrangement) creates programming balance while letting Conquest 1 leave a lasting impression.
Skills your students will build
- Maintaining intensity and focus across extended forms lasting multiple minutes
- Reading and executing complex layered textures where multiple parts move independently
- Responding to subtle conductor cues that shape dramatic arc and pacing in orchestrally dense writing
- Balancing individual part clarity within a full ensemble texture requiring disciplined dynamic control